this song is in the tunning of Eb or dropped 1/2 step and if you think you can reproduce
entire song perfectly with these incredible sounds he prduced, you better break your
over your head. This song can not be perfectly reproduced and can't be played without a
fender stratocaster guitar like Jimi's.
Tunning: half a step-Eb
legend:
/ slide up to
\alide down to
hhammer on
ppull off
bbend(the pitch of the bend is above the staff)
~vibrato
(?)the previous note(s) ring out action
fdbkfeedback(pitch is next to it)
trtrill on as fast as you can
Xmuted note strummed
xrake
() trem pick or a.k.a pick as fast as you can
pbpre bend or to bend before striking note
rbrelease the bend
w/fuzz face & univibe
fdbk F#
let ring_____________________ fdbkF# fdbkF#
read intro and legend before starting
this note sounds as the result of high volume,distortion & effects
full full let ring
let ring____ tr~~ tr~~ 1/2 1/2
hold bend________
fdbkF# full grad. release fbdkF#
1/2 poco accel.
w/wah-wah fdbk
wah creates g# generated by
impression of sympathetic vibration
re-attack of the low E string
full w/bar w/bar______
w/bar
trem_____ trem_ w/bar harm.
1 1/2 w/bar fdbk 1 1/2 [-1] [-1] full
grad. release
1 1/2 2 2 full 2 full
1/2
harm ΘTharm fdbkF# w/bar fdbk 1 1/2
ΘTthumb on 6[-1][-2]
mic. fdbk:not string vib
"choke" stgs w/ fret hand
w/[-1]bar[-2]___[1/2]_____________________________________________________________
-2 1/2________
w/bar w/bar-1 -1 1/2
-2 -1 depress bar while
hammering on from
nowhere.
poco accel. w/bar(very wide vib.)
|13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p|
w/bar
w/bar__ fdbkC# w/bar
w/bar_________________ ╖
-1 1/2 -1 1/2 ╖univibe creates the
impression of re-attack
w/bar(vib. &
desend simult-
aneously)
w/bar 1 1/2fdbkG# 2/full fdbk
-2 1/2 1st/2nd string bent
simultaneosouly w/ 3rd finger
w/bar
full__2 ╝ w/bar w/bar
╝other pitches -2 1/2 -1
created by effects
rit____
fdbk univibe &
fdbkC#______ A wah-wah off
wah on & off wah on
δrock wah back n' forth quickly
creating rhytmic effect of sixteenth
note triplets
-1/2 wah off
poco rit. fdbk_____
-1/2____________________-1_______________________
w/bar
|(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)|
fdbk___________________________________________________
▼fret B silently -1 1/2_______
& allow it to feedback
fdbk____________
-2______________ σ fdbk w/bar_
σdon't pick
w/bar_______
[-1]
w/bar__ w/bar____ fdbkB T
w/bar
T T fdbkG# F#
please comment! this took me like 3hrs to fully do and
hendrix is god!
email: [email protected]
tabber:Cody C.
entire song perfectly with these incredible sounds he prduced, you better break your
over your head. This song can not be perfectly reproduced and can't be played without a
fender stratocaster guitar like Jimi's.
Tunning: half a step-Eb
legend:
/ slide up to
\alide down to
hhammer on
ppull off
bbend(the pitch of the bend is above the staff)
~vibrato
(?)the previous note(s) ring out action
fdbkfeedback(pitch is next to it)
trtrill on as fast as you can
Xmuted note strummed
xrake
() trem pick or a.k.a pick as fast as you can
pbpre bend or to bend before striking note
rbrelease the bend
w/fuzz face & univibe
fdbk F#
let ring_____________________ fdbkF# fdbkF#
|------|----------|--0--|-(0)-----2/4---2--|-0----------|----------------|
|-0----|------0---|-----|-(0)--------------|------------|------------------|
|----1-|---1------|-----|------------------|----1-(1)-3/|4~~~(4)~~~-3/4--4-|
|------|-2--------|-----|------------------|------------|------------------|
|------|----------|-----|------------------|------------|------------------|
|------|----------|-----|------------------|------------|------------------|
read intro and legend before starting
this note sounds as the result of high volume,distortion & effects
full full let ring
|------------------------|------------|-0--0--------|--------|-------|
|--7b--7pb-(7)rb---5-h7p5|-4---4\2--4-|-------0-----|----0---|-----0-|
|--7b--------------------|------------|----------0h1|------1-|---1~--|
|------------------------|------------|-------------|--2~----|-2~----|
|------------------------|------------|-------------|--------|-------|
|------------------------|------------|-------------|--------|-------|
let ring____ tr~~ tr~~ 1/2 1/2
|-0----|-(0)-2/4--4h5-4\2h4-2p|0------------|-------------------------|
|------|-(0)------------------|-------------|-------------------------|
|------|----------------------|-----1/3\1/3/|4/7\6--6/8b-rb(8)b--rb---|
|------|----------------------|-------------|-------------------------|
|------|----------------------|-------------|-------------------------|
|------|----------------------|-------------|-------------------------|
hold bend________
fdbkF# full grad. release fbdkF#
|---------------------------------------|-----------|------------------|
|---------------------------------------|---7b------|-(7)----(7)rb-----|
|(8)\6h8p6h8p6\4h6p4--(4)~~~--(0)--4--4-|-----------|------------------|
|---------------------------------------|-----------|------------------|
|---------------------------------------|-----------|------------------|
|---------------------------------------|-----------|------------------|
1/2 poco accel.
|----------------------------|-------------|-0--0--------|
|--5--5h7--(7)b--(7)rbp5h7p5\|4~~--4\2--4--|-------0-----|
|----------------------------|-------------|----------1~-|
|----------------------------|-------------|-------------|
|----------------------------|-------------|-------------|
|----------------------------|-------------|-------------|
w/wah-wah fdbk
|---2/4-4-4--(4)--5------|-7--7--7--------7--|
|------------------------|-------------------|
|------------------------|-------------------|
|-2----------------------|-------------------|
|------------------------|-------------------|
|------------------------|---------(0)-(0)---|
wah creates g# generated by
impression of sympathetic vibration
re-attack of the low E string
full w/bar w/bar______
|--grad release-|--------------------------|
|-/17b--(17)rb--|-0-----(0)---0--(0)---0---|
|---------------|-0-----(0)-X-0--(0)---0---|
|---------------|-0-----(0)-X-0--(0)---0---|
|---------------|-----------X--------------|
|---------------|--------------------------|
-2 1/2 -1 -1-------| 1/2 slight trem but not too fast
w/bar
trem_____ trem_ w/bar harm.
|-------/17----------17----------------------------------0-X--|
|-(0)---/18----------18---------------------------0------0-X--|
|-(0)---/19----------19-----------------------3---0-4/15-0-X--|
|-(0)-------------------------------------3---------------|
|-----------------0---------------------------3---------------|
|-------------------------15-15-15-15-0-h15\--0---------------|
1 1/2 w/bar fdbk 1 1/2 [-1] [-1] full
|----------------------------------------------------------------------------|
|-15b--------(15)rb------15b-rb----------------------------------------------|
|----------------------------------------------------------------------------|
|---------------------------------------------p0-----p0-----p0------X-13bp0--|
|-------------------(0)-----------------------p0-----p0-----p0------X--------|
|--------------------------------10/12-16\0/19p0h7/16p0h7/19p0h7/13-X--------|
-1 -1 -1----------------------------------------------------------------|
grad. release
1 1/2 2 2 full 2 full
|------------------------------X--------------------------|
|----15b--(15)-(15)---(15)rb---X-17--(17)b-(17)(17)(17)rb-|
|---x-------------------------0X--------------------------|
|--x-------------------------(0)--------------------------|
|-x-------------------------------------------------------|
|---------------------------------------------------------|
1/2
harm ΘTharm fdbkF# w/bar fdbk 1 1/2
|-------------13----13----X---------------------------------X--------------|
|-~2p0--------13----13----X------------12----(12)----(12)------------------|
|-~3p0------0-13----13----X--------------12--------------------------------|
|-~4p0---X\-0---12----X------------------------------------------------|
|-~4p0---X\-0-------------X-----------------------------------/14b(14)\----|
|------0-X\------------12-X-11-11-11-12-----------------------/14b(14)\----|
ΘTthumb on 6[-1][-2]
mic. fdbk:not string vib
"choke" stgs w/ fret hand
|-------------4/5-4-|-2---4----5--|--5--|--------------------------|
|-------------------|-------------|-----|-----------8p0h8p0h8p0h8p-|
|-------------------|-------------|-----|-----------8p0h8p0h8p0h8p0|
|-------------------|-------------|-----|-/8h--8h7h-8p0h8p0h8p0h8p0|
|-0----(0)----------|-------------|-----|----7h--7h----------------|
|-0----(0)----------|-------------|-----|--------------------------|
w/[-1]bar[-2]___[1/2]_____________________________________________________________
-2 1/2________
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
|-(0)(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)-(0)(0)(0)(0)(0)---|
|-(0)(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)--(0)-(0)(0)(0)(0)(0)---|
|-----------------------------------------------------------------------|
|-----------------------------------------------------------------------|
(-2)(-3)(-3)(-5)(-3)(-3)(2 1/2)(-3)(-1 1/2)(-3)(-1---------------------| 1/2)
w/bar w/bar-1 -1 1/2
|--------0--------|--------------------------------|
|--------0----/13-|-(13)h---13h---13h---13h--------|
|-(0)/18----------|------12h---12h---12h---0/13h---|
|-(0)/18----------|-----------------------------12h|
|-----------------|--------------------------------|
|-----------------|--------------------------------|
-2 -1 depress bar while
hammering on from
nowhere.
poco accel. w/bar(very wide vib.)
|-------------------------------------------------------------------------|
|-------------------------------~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~|
|13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p0h13p|
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
|-------------------------------------------------------------------------|
w/bar
w/bar__ fdbkC# w/bar
|------------------------------------------0-------------------------|
|~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~------0----0-(0)-----------h17--|
|0h13p0h13p0h13p0h13p0h13p0h13p0h13p0-0----0-13p0------------0-------|
|-------------------------------------0----0-----------------0-------|
|------------------------------------------0------------0-(0)--------|
|------------------------------------------0------------0-(0)--------|
-2 slack B-1 -1 1/2--------|
w/bar_________________ ╖
|h0-(0)-(0)-(0)---(0)------------------------------|
|h0-(0)-(0)-(0)---(0)--0--0------------------------|
|----------------------0--0------------------------|
|----------------------0--0------------------------|
|----------------------0--0-----------h16p0h16p16--|
|---------------------------h16p0h16-0-------------|
-1 1/2 -1 1/2 ╖univibe creates the
impression of re-attack
w/bar(vib. &
desend simult-
aneously)
w/bar 1 1/2fdbkG# 2/full fdbk
|------------------------------p0--/17b--(17)rb--------------0------------|
|-----0-------------------------0-------------17pb--(17)~--0-16b--------|
|-----0-----------------------------------------------------0--16b--(16)--|
|-h15p0---h16pXh16pXh16pXh16pX--------------------------------------------|
|---------h16pXh16pXh16pXh16pX--------------------------------------------|
|---------h16pXh16pXh16pXh16pX--------------------------------------------|
-2 1/2 1st/2nd string bent
simultaneosouly w/ 3rd finger
w/bar
full__2 ╝ w/bar w/bar
|-------------------------------------------4/5-|
|---17b------(17)~----0-(0)---------------------|
|-0-------------------0-(0)------0------(0)-----|
|------------------X/h0-(0)--h11h0------(0)-----|
|------------------X/h0-(0)---------------------|
|------------------X/h--------------------------|
╝other pitches -2 1/2 -1
created by effects
rit____
|-4------(4)\2/4\2\0---|---------------------------|----------|
|----------------------|--4------------------2---4-|-5--------|
|----------------------|---------------------------|----1/3---|
|----------------------|---------------------------|----------|
|----------------------|---------------------------|----------|
|----------------------|---------------------------|----------|
fdbk univibe &
fdbkC#______ A wah-wah off
|----------------------------------------|
|-------------------------------/12--12--|
|-3/4--(4)--------(4)-------(4)----------|
|----------------------------------------|
|----------------------------------------|
|----------------------------------------|
|---12------------12--|--16~~~~~~~~------12-|-16~~----12--16~~-----12-|
|-------------12------|--------------12-----|------12----------12-----|
|---------------------|---------------------|-------------------------|
|---------------------|---------------------|-------------------------|
|---------------------|---------------------|-------------------------|
|---------------------|---------------------|-------------------------|
wah on & off wah on
|-16~~~-----|-0-----0-----0----0--|---------------0---2-|
|--------0--|------------------4--|-2---2---2--4--------|
|-----------|---------------------|---------------------|
|-----------|---------------------|---------------------|
|-----------|---------------------|---------------------|
|-----------|---------------------|---------------------|
δrock wah back n' forth quickly
creating rhytmic effect of sixteenth
note triplets
-1/2 wah off
|-4--5----4---2h4p2---|-0--------------------|-----|-----------------|
|---------------------|----4b~~~~~(4)~~~~~~~-|-4---|(4)~~~~~~~~~~~~~~|
|---------------------|----------------------|-----|-----------------|
|---------------------|----------------------|-----|-----------------|
|---------------------|----------------------|-----|-----------------|
|---------------------|----------------------|-----|-----------------|
poco rit. fdbk_____
-1/2____________________-1_______________________
w/bar
|------------------------------------------------|
|(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)(4)|
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
fdbk___________________________________________________
-1_____________________ -1 -2-----------------|________
|---------------------------------------------------------------|
|▼(4)(4)---------------(0)--------------------------------|
|-(4)(4)(4)(4)(4)(4)(4)---(4)(4)(4)(4)(4)(4)(4)(4)(4)(4---------|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
▼fret B silently -1 1/2_______
& allow it to feedback
fdbk____________
-2______________ σ fdbk w/bar_
|-----------------X------------|--0-----2-2/4---5--|-7-----(7)-----~~~~~|
|-----------------X-----0---0--|------------0------|--------------------|
|(4)(4)(4)(4)(4)--X------------|-------------------|--------------------|
|----------X-------------------|-------------------|--------------------|
|----------X-------------------|-------------------|--------------------|
|------------------------------|-------------------|--------------------|
σdon't pick
w/bar_______
|~~(7)\----0------0--2/-|
|----------0------------|
|----------0------------|
|----------0------------|
|----------0------------|
|-----------------------|
[-1]
w/bar__ w/bar____ fdbkB T
|-/4~~~h5p4h5p4\2h4p2h4p2p0~|~(0)~~(0)--(0)------|-5--|
|---------------------------|--------------------|-5--|
|---------------------------|-----------------X/-|-6--|
|---------------------------|-----------------X/-|-7--|
|---------------------------|-----------------X/-|-X--|
|---------------------------|-----------------X/-|-5--|
w/bar
T T fdbkG# F#
|/8-----10----------|-0------(0)---------|
|/8-----10----------|-0------------(0)~~~|
|/9-----11----------|-X------------------|
|/10----12----------|-2------------------|
|-X-----X-----------|-2------------------|
|/8-----10-----(10)\|-0------------------|
please comment! this took me like 3hrs to fully do and
hendrix is god!
email: [email protected]
tabber:Cody C.
