Lindsey Buckingham - Go Insane
From the album "Go Insane," 1984
Tabulated by Reed Peterson
Standard Tuning
CHORDS
[C#maj7] [Cm7] [Fm] [D#]
e|---4--- e|---3--- e|---8--- e|---6---
B|---6--- B|---4--- B|---9--- B|---8---
G|---5--- G|---3--- G|---10-- G|---8---
D|---6--- D|---5--- D|---10-- D|---8---
A|---4--- A|---3--- A|---8--- A|---6---
E|---4--- E|---3--- E|---8--- E|---6---
INTRO - Strum out the progression . . .
(C#maj7 Cm7 Fm D# Fm) X4
VERSE 1
Two kinds of people in thi[Fm]s wo[D#]rld [Fm]
Winners; losers [Fm][D#][Fm]
I lost my power in this wo[Fm]rld [D#][Fm]
'Cause I did not use it [Fm][D#][Fm]
CHORUS 1
[C#maj7]So I go i[Cm7]nsane [Fm][D#][Fm]
[C#maj7]Like I al[Cm7]ways do [Fm][D#][Fm]
[C#maj7]And I cal[Cm7]l your n[Fm]ame [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you [D#][Fm]
VERSE 2
Two kinds of trouble in th[Fm]is w[D#]orld[Fm]
Livin'; dyin' [Fm][D#][Fm]
I lost my power in this wo[Fm]rld[D#][Fm]
And the rumors are flyin'[Fm][D#][Fm]
CHORUS 2
[C#maj7]So I go i[Cm7]nsane [Fm][D#][Fm]
[C#maj7]Like I al[Cm7]ways do [Fm][D#][Fm]
[C#maj7]And I cal[Cm7]l your n[Fm]ame [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you [D#][Fm]
[C#maj7]Yes, I go[Cm7] insane [Fm][D#][Fm]
[C#maj7]Like I al[Cm7]ways do [Fm][D#][Fm]
[C#maj7]And I cal[Cm7]l your n[Fm]ame [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you [D#][Fm]
ODD INTERLUDE - This happens immediately after the second chorus; a bunch of interesting
sound effects are applied over the basic chord progression of the song. As in "INTRO,"
strum out . . .
(C#maj7 Cm7 Fm D# Fm) X4
FINAL CHORUS
[C#maj7]So I go i[Cm7]nsane [Fm][D#][Fm]
[C#maj7]Like I al[Cm7]ways do [Fm][D#][Fm]
[C#maj7]And I cal[Cm7]l your n[Fm]ame [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you [D#][Fm]
[C#maj7]Yes, I go[Cm7] insane [Fm][D#][Fm]
[C#maj7]Like I al[Cm7]ways do [Fm][D#][Fm]
[C#maj7]And I cal[Cm7]l your n[Fm]ame [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you[D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you[D#][Fm]
OUTRO - This happens immediately after Lindsey's last "She's a lot like you." Just strum
out the chord progression of "INTRO" and "INTERLUDE" over and over again, until the song
fades out.
NOTE: It sounds as if multiple guitar parts were overlayed in the recording - for
example, during "INTRO," the chord "Fm" may be heard in addition to every "Cmaj7."
The sound is delightfully "liquidy."
From the album "Go Insane," 1984
Tabulated by Reed Peterson
Standard Tuning
CHORDS
[C#maj7] [Cm7] [Fm] [D#]
e|---4--- e|---3--- e|---8--- e|---6---
B|---6--- B|---4--- B|---9--- B|---8---
G|---5--- G|---3--- G|---10-- G|---8---
D|---6--- D|---5--- D|---10-- D|---8---
A|---4--- A|---3--- A|---8--- A|---6---
E|---4--- E|---3--- E|---8--- E|---6---
INTRO - Strum out the progression . . .
(C#maj7 Cm7 Fm D# Fm) X4
VERSE 1
Two kinds of people in thi[Fm]s wo[D#]rld [Fm]
Winners; losers [Fm][D#][Fm]
I lost my power in this wo[Fm]rld [D#][Fm]
'Cause I did not use it [Fm][D#][Fm]
CHORUS 1
[C#maj7]So I go i[Cm7]nsane [Fm][D#][Fm]
[C#maj7]Like I al[Cm7]ways do [Fm][D#][Fm]
[C#maj7]And I cal[Cm7]l your n[Fm]ame [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you [D#][Fm]
VERSE 2
Two kinds of trouble in th[Fm]is w[D#]orld[Fm]
Livin'; dyin' [Fm][D#][Fm]
I lost my power in this wo[Fm]rld[D#][Fm]
And the rumors are flyin'[Fm][D#][Fm]
CHORUS 2
[C#maj7]So I go i[Cm7]nsane [Fm][D#][Fm]
[C#maj7]Like I al[Cm7]ways do [Fm][D#][Fm]
[C#maj7]And I cal[Cm7]l your n[Fm]ame [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you [D#][Fm]
[C#maj7]Yes, I go[Cm7] insane [Fm][D#][Fm]
[C#maj7]Like I al[Cm7]ways do [Fm][D#][Fm]
[C#maj7]And I cal[Cm7]l your n[Fm]ame [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you [D#][Fm]
ODD INTERLUDE - This happens immediately after the second chorus; a bunch of interesting
sound effects are applied over the basic chord progression of the song. As in "INTRO,"
strum out . . .
(C#maj7 Cm7 Fm D# Fm) X4
FINAL CHORUS
[C#maj7]So I go i[Cm7]nsane [Fm][D#][Fm]
[C#maj7]Like I al[Cm7]ways do [Fm][D#][Fm]
[C#maj7]And I cal[Cm7]l your n[Fm]ame [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you [D#][Fm]
[C#maj7]Yes, I go[Cm7] insane [Fm][D#][Fm]
[C#maj7]Like I al[Cm7]ways do [Fm][D#][Fm]
[C#maj7]And I cal[Cm7]l your n[Fm]ame [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you [D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you[D#][Fm]
[C#maj7]She's a l[Cm7]ot like [Fm]you[D#][Fm]
OUTRO - This happens immediately after Lindsey's last "She's a lot like you." Just strum
out the chord progression of "INTRO" and "INTERLUDE" over and over again, until the song
fades out.
NOTE: It sounds as if multiple guitar parts were overlayed in the recording - for
example, during "INTRO," the chord "Fm" may be heard in addition to every "Cmaj7."
The sound is delightfully "liquidy."
