#
## This file is the authors own work and represents their interpretation #
## of the song. You may only use this file for private study, scholarship,#
## or research. # # #
## All transcriptions on this site is the property of KISS Asylum and #
## cannot be used on any other website, ftp site or archive without #
## permission from KISS Asylum. #
#
#
#GET ALL YOU CAN TAKE (from the KISS CD "ANIMALIZE")
#
Transcribed by Emil Ortenmark, emil@kissasylum.com
Tuned down 1/2-step
Comments: I like it when Paul plays riffs like these. Rhy. Fig 1 here is
in the same mold as Keep me comin' (and the open-string pull-off would
continue on Asylum). And in Rhy. Fig 3 we see the first appearance of
the Gmaj(7) chord that would later fuel such songs as Hide your heart
and Psycho Circus.
Key:
/ slide up
\ slide down
b bend (whole step)
b^ bend (1/2 step)
b^^ bend (1 1/2 steps)
pb pre-bend
r release-bend
t tap with righthand finger
h hammer-on
p pull-off
~ Vibrato
Natural Harmonic
#(#) Trill
Artificial Harmonic
x Dead notes (no pitch)
P.M. Palm mute (- -> underneath indicates which notes)
(\) Dive w\bar
(/) Release w\bar
Tp Tap w\plectrum
Rhythm Fig. 1
[End] [1]
[End] [2]
Rhythm Fig. 2
[End] [1]
[End] [2]
Rhythm Fig. 3 (Let ring)
[End] [1]
[End] [2]
Rhythm Fig. 4a
Rhythm Fig. 4b
Rhythm Fig. 5a (Let ring)
Rhythm Fig. 5b
Solo
Outro solo
Semi-harmonics - >
GET ALL YOU CAN TAKE
Stanley/Weissman
[Rhy. Fig 1 w/ End 1] (2x)
[Rhy. Fig 2 w/ End 1] (2x)
I didn't know 'bout the modern ways of life, I didn't really care
I never gave a damn about the future, I never got my share
Somebody said, boy your time's a wastin',
you're movin' much too slow
So many things in life worth tastin',
so much you oughta know - look out
[Rhy. Fig 3 w/ End 1]
Get down, fool around, if you got half a chance, you take it
Ooh yeah, stand your ground, you gotta bend the rules to make it
[Rhy. Fig 3 w/ End 2]
Hold tight, see the light, think of all the dues you're payin'
So true, I'm tellin' you, wise up, can't you hear me sayin'
[Rhy. Fig 1 w/ End 1] (2x)
You gotta get all you can take
sing along, gotta keep on hummin'
Stop waitin' for your lucky break - stop waitin', wastin' time
What fuckin' difference does it make? - ooh, gotta keep it comin'
You gotta get all you can take
dontcha know I'm gonna take what's mine
[Rhy. Fig 2 w/ End 2] (2x)
People lookin', eyes wide open, tell me what you see
Bodies tired, minds 'a chokin', you gotta set 'em free
Don't think about the race they're runnin',
they'll never let you in
With all the rules, it's a race of fools,
and you can never win - look out
[Rhy. Fig 3 w/ End 2]
Get down, fool around, think of all the dues you're payin'
Oh yeah, stand your ground, wise up, can't you hear me sayin'
[Rhy. Fig 1 w/ End 1]
You gotta get all you can take
sing along, gotta keep on hummin'
Stop waitin' for your lucky break - stop waitin', wastin' time
[Rhy. Fig 1 w/ End 2]
What fuckin' difference does it make? - ooh, gotta keep it comin'
You gotta get all you can take
Ooooh!
[Rhy. Fig 4a] (3x)
(Yeah you know what I'm talking about,
ah just take a look around you)
[Rhy. Fig 4b]
[Solo over Rhy. Fig 5a w/ Rhy. Fig 5b]
[Rhy. Fig 1 w/ End 1] (2x)
You gotta get all you can take
sing along, gotta keep on hummin'
Stop waitin' for your lucky break - stop waitin', wastin' time
What fuckin' difference does it make? - ooh, gotta keep it comin'
You gotta get all you can take
Ah, dontcha know I'm gonna take what's mine
[Rhy. Fig 2 w/ End 1 and Outro solo]
[Rhy. Fig 2 w/ End 2]
#-----------------------------PLEASE NOTE--------------------------------#
## This file is the authors own work and represents their interpretation #
## of the song. You may only use this file for private study, scholarship,#
## or research. # # #
## All transcriptions on this site is the property of KISS Asylum and #
## cannot be used on any other website, ftp site or archive without #
## permission from KISS Asylum. #
#
#------------------------------------------------------------------------#
#
#GET ALL YOU CAN TAKE (from the KISS CD "ANIMALIZE")
#
--------------------
Transcribed by Emil Ortenmark, emil@kissasylum.com
Tuned down 1/2-step
Comments: I like it when Paul plays riffs like these. Rhy. Fig 1 here is
in the same mold as Keep me comin' (and the open-string pull-off would
continue on Asylum). And in Rhy. Fig 3 we see the first appearance of
the Gmaj(7) chord that would later fuel such songs as Hide your heart
and Psycho Circus.
Key:
/ slide up
\ slide down
b bend (whole step)
b^ bend (1/2 step)
b^^ bend (1 1/2 steps)
pb pre-bend
r release-bend
t tap with righthand finger
h hammer-on
p pull-off
~ Vibrato
Natural Harmonic
#(#) Trill
Artificial Harmonic
x Dead notes (no pitch)
P.M. Palm mute (- -> underneath indicates which notes)
(\) Dive w\bar
(/) Release w\bar
Tp Tap w\plectrum
Rhythm Fig. 1
Eb|--------------------------------------------------------|
Bb|--------------------------------------------------------|
Gb|--7/9-9-9-9\----7--7-7--9-------------------------------|
Db|--7/9-9-9-9\----7--7-7--9------------------5~--4--------|
Ab|--5/7-7-7-7\----5--5-5--7---4p0--5p0--7p0--------7-5----|
Eb|--------------------------------------------------------|
[End] [1]
Eb|--------------------------------------------------------|
Bb|--------------------------------------------------------|
Gb|--7/9-9-9-9\----7--7-7--9----------------------2--------|
Db|--7/9-9-9-9\----7--7-7--9----------------------2--------|
Ab|--5/7-7-7-7\----5--5-5--7---4p0--5p0--7p0------0--------|
Eb|-------------------------------------------2b-----------|
[End] [2]
Eb|--------------------------------------------------------|
Bb|-----------------------------------------------3--------|
Gb|--7/9-9-9-9\----7--7-7--9----------------------2--------|
Db|--7/9-9-9-9\----7--7-7--9----------------------0--------|
Ab|--5/7-7-7-7\----5--5-5--7---4p0--5p0--7p0---------------|
Eb|-------------------------------------------2b-----------|
Rhythm Fig. 2
Eb|--------------------------------------------------------|
Bb|-------------------------3------------------------------|
Gb|---2p0-0-2----2p0-0-2--x-2---2p0-0-2----2p0-------------|
Db|---2p0-0-2----2p0-0-2--x-0---2p0-0-2----2p0-------------|
Ab|---0----------0--------------0--------------------------|
Eb|--------------------------------------------0h2b--------|
[End] [1]
Eb|--------------------------------------------------------|
Bb|-------------------------3------------------------------|
Gb|---2p0-0-2----2p0-0-2--x-2---2p0-0-2--------x-2---------|
Db|---2p0-0-2----2p0-0-2--x-0---2p0-0-2--------x-2---------|
Ab|---0----------0--------------0--------------x-0---------|
Eb|--------------------------------------------------------|
[End] [2]
Eb|--------------------------------------------------------|
Bb|-------------------------3------------------------------|
Gb|---2p0-0-2----2p0-0-2--x-2---2p0-0-2--------------------|
Db|---2p0-0-2----2p0-0-2--x-0---2p0-0-2--------------------|
Ab|---0----------0--------------0-----0--------------------|
Eb|--------------------------------------------------------|
Rhythm Fig. 3 (Let ring)
Eb|--------------------------------------------------------|
Bb|-------------------------------------------3------------|
Gb|--------4-----------4-----------4-----2----2------------|
Db|-----4-----4-----4-----4-----4-----4--2----0------------|
Ab|--2-----------------------------------0-----------------|
Eb|--------------2-----------3-----------------------------|
[End] [1]
Eb|--------------------------------------------------------|
Bb|----------------------------------------3---------------|
Gb|--------4-----------4-----------4-----x-2---x-2---------|
Db|-----4-----4-----4-----4-----4-----4--x-0---x-2---------|
Ab|--2-------------------------------------------0---------|
Eb|--------------2-----------3-----------------------------|
[End] [2]
Eb|--------------------------------------------------------|
Bb|----------------------------------------------3---------|
Gb|--------4-----------4-----------4-----x-2---x-2---------|
Db|-----4-----4-----4-----4-----4-----4--x-2---x-0---------|
Ab|--2-------------------------------------0---------------|
Eb|--------------2-----------3-----------------------------|
Rhythm Fig. 4a
Eb|--------------------------------------------------------|
Bb|--------------------------------------------------------|
Gb|---5\4-0-2p0-0-5\4-0-7~------5\4-0-2p0-0-5\4-0-5~-------|
Db|---5\4-0-2p0-0-5\4-0-7~------5\4-0-2p0-0-5\4-0-5~-------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Rhythm Fig. 4b
Eb|--------------------------------------------------------|
Bb|--------------------------------------------------------|
Gb|---5\4-0-2p0-0-5\4-0-7~------5\4-0h2----5\4-0h2---------|
Db|---5\4-0-2p0-0-5\4-0-7~------5\4-0h2----5\4-0h2---------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Rhythm Fig. 5a (Let ring)
Eb|--------------------------------------------------------|
Bb|-------9-------10-----9----------12---------13------12--|
Gb|----------9--9------9----------------12--12------12-----|
Db|--------------------------------------------------------|
Ab|---------------------------10---------------------------|
Eb|--0-----------------------------------------------------|
Eb|--------------------------------------------------------|
Bb|--------15---------16------15---------------------------|
Gb|------------15--15------15-------3----3----x-5---x-7----|
Db|---------------------------------3----3----x-5---x-7----|
Ab|--13-----------------------------1----1------3-----5----|
Eb|--------------------------------------------------------|
Rhythm Fig. 5b
Eb|--------------------------------------------------------|
Bb|---------------------------3----------------------------|
Gb|--9------------------------0----------------------------|
Db|--9------------------------0----------------------------|
Ab|--7-----------------------------------------------------|
Eb|--0------------------------3----------------------------|
Eb|--------------------------------------------------------|
Bb|--------------------------------------------------------|
Gb|--3-------------------------------3----3----x-5---x-7---|
Db|--3-------------------------------3----3----x-5---x-7---|
Ab|--1-------------------------------1----1------3-----5---|
Eb|--------------------------------------------------------|
Solo
Eb|-------12-------12--------------------------------------|
Bb|--12------15p12------15(12)----------15p12h15~----15p12-|
Gb|--14b---------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Lower whammy
Eb|--------------------------------------------------------|
Bb|--------------------------------------------------------|
Gb|--14b~-----r14-12h14p(\/)12---12h14h(\/)12---p0(\)------|
Db|--------------------------------------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Eb|-------------------------------------6p3---3------------|
Bb|--15-----------------------------------6---6-3h6p3----|
Gb|----------(/)14p12h(\/)14p12-------------------------5--|
Db|--------------------------------------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Bb|--6p3---3-----------------------------------------------|
Gb|------5---5-3h5p3---5p3---3------5 (\/)-(\/)----5p3p0--|
Db|------------------5-----5---5p3-------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Eb|-----------------------------------------------6---8/---|
Bb|-----------------------------------------3h6/8----------|
Gb|--5p3p0----------------------------0h3h5----------------|
Db|--------5p3p0-5p3p0(\)---0h3p0-3h5----------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Eb|--13~---------------------------------------------------|
Bb|---------11h13p(\/)11-13p(\/)11-(\/)---\----------------|
Gb|-----------------------------------------3(\)-----------|
Db|--------------------------------------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Eb|-------------13/-16-------------------------------------|
Bb|---------15---------------------------------------------|
Gb|--(/)15--------------pb^13----r13-----------------------|
Db|---------------------------------------------10h11h13---|
Ab|-------------------------------------10h11h13-----------|
Eb|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Bb|-----------10/16---14--13-------------------------------|
Gb|--10h11h13-----------------15~---------------------6-8--|
Db|--------------------------------------6-8-6-8~----------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Eb|-------------------------(6)-----------16b--16--16b--16-|
Bb|------------6-9-6-9~------------------------------------|
Gb|--6-8~--------------------------------------------------|
Db|--------------------------------8\----------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Eb|--16b~----18b----r18------------------------------------|
Bb|----------------------18~-------------------------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Outro solo
Eb|--------------------------------------------------------|
Bb|--------------------------------------------------------|
Gb|--5p2p0-2p0-5b----------------------------------------|
Db|--------------------------------------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Bb|--15b--15--13--15--13b---r13-(\)--------------13--15----|
Gb|------------------------------------------14------------|
Db|--------------------------------------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Bb|--13h15-13h15-13h15-----------13--15--13h15-13h15--13~--|
Gb|--14----14----14----14~---14----------14----14----------|
Db|--------------------------------------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Semi-harmonics - >
Eb|--20b---17-20p17----20b---17-20p17----20b---17-20p17----|
Bb|-----------------20----------------20-------------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Eb|--------------------------------------------------------|
Bb|--20b~------20b-r20p17-20b--\---------------------------|
Gb|--------------------------------------------------------|
Db|--------------------------------------------------------|
Ab|--------------------------------------------------------|
Eb|--------------------------------------------------------|
GET ALL YOU CAN TAKE
Stanley/Weissman
[Rhy. Fig 1 w/ End 1] (2x)
[Rhy. Fig 2 w/ End 1] (2x)
I didn't know 'bout the modern ways of life, I didn't really care
I never gave a damn about the future, I never got my share
Somebody said, boy your time's a wastin',
you're movin' much too slow
So many things in life worth tastin',
so much you oughta know - look out
[Rhy. Fig 3 w/ End 1]
Get down, fool around, if you got half a chance, you take it
Ooh yeah, stand your ground, you gotta bend the rules to make it
[Rhy. Fig 3 w/ End 2]
Hold tight, see the light, think of all the dues you're payin'
So true, I'm tellin' you, wise up, can't you hear me sayin'
[Rhy. Fig 1 w/ End 1] (2x)
You gotta get all you can take
sing along, gotta keep on hummin'
Stop waitin' for your lucky break - stop waitin', wastin' time
What fuckin' difference does it make? - ooh, gotta keep it comin'
You gotta get all you can take
dontcha know I'm gonna take what's mine
[Rhy. Fig 2 w/ End 2] (2x)
People lookin', eyes wide open, tell me what you see
Bodies tired, minds 'a chokin', you gotta set 'em free
Don't think about the race they're runnin',
they'll never let you in
With all the rules, it's a race of fools,
and you can never win - look out
[Rhy. Fig 3 w/ End 2]
Get down, fool around, think of all the dues you're payin'
Oh yeah, stand your ground, wise up, can't you hear me sayin'
[Rhy. Fig 1 w/ End 1]
You gotta get all you can take
sing along, gotta keep on hummin'
Stop waitin' for your lucky break - stop waitin', wastin' time
[Rhy. Fig 1 w/ End 2]
What fuckin' difference does it make? - ooh, gotta keep it comin'
You gotta get all you can take
Ooooh!
[Rhy. Fig 4a] (3x)
(Yeah you know what I'm talking about,
ah just take a look around you)
[Rhy. Fig 4b]
[Solo over Rhy. Fig 5a w/ Rhy. Fig 5b]
[Rhy. Fig 1 w/ End 1] (2x)
You gotta get all you can take
sing along, gotta keep on hummin'
Stop waitin' for your lucky break - stop waitin', wastin' time
What fuckin' difference does it make? - ooh, gotta keep it comin'
You gotta get all you can take
Ah, dontcha know I'm gonna take what's mine
[Rhy. Fig 2 w/ End 1 and Outro solo]
[Rhy. Fig 2 w/ End 2]
