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Artist:Opeth
Album:Still Life (1999)
Composition:Face of Melinda
Transcription:Idar Wiik ([email protected])
Version:1.0
Tuning:standard
|a bar line (an actual bar line)
( )a ghost note
a sustained note
ba (pre-)bent note
>an emphasized note/chord
a transcriber´s note
Time 4/4
Riff a
Gtr.1 (acoustic), pick w/fingers
(let all notes ring)
1st time play an open E
[A5add9] [D5] [(Em)]
|-7----5-------2h3-|-0-----------0h5-0-----0---------|
|5-----3-----------|-------------------4s5---0h1-----|
|-------------------|-----0h2---------------------2s4-|
|-------0-----------|---------2-----------------------|
|0-----------------|---------------------------------|
|-------------------|---0-----------------------------|
4th time there´s a rest before C/A chord
C/A Bm/G# (Badd-9) 4 times
|------------------|-----------------------|
|-5-----3-----------|-------0------(0)-----|
|-5-----4-----------|---------s5------------|
|-------------------|----1------------------|
|---------------0h1-|-2--------------------|
|-5-----4-----------|-----------------------|
Riff B notes in parentheses are sometimes
(Segno) substituted for each other...
(Dm) (Amsus2) 16th note triplet N.C. 4 times
|---------1p0--------------------|------(0)-----------0-------|
|----3-------0------0p1h0--------|----------0-----0-------0--|
|---2---2-----------------0---2---|------(5)---------5---5---0-|
|-0-------------------------0---2-|----7-----------------------|
|------------0-------------------|s7-------------------------|
|---------------------------------|----------0-----------------|
Verse
Gtrs.2&3 (clean electrics.) gtr.2 higher, gtr.3 lower
Gtr.1 w/riff B both gtrs. 4 times
|-7-----------------------|--------------------------|
|6------6--5------6------|------5-----------------|
|--------5--7------5--4/7-|---------5-----4----------|
|-------------------------|---------7-----6----------|
|------------------------|-------------------------|
|-------------------------|--------------------------|
Gtr.1
Gtrs.2&3 w/riff B once 16th note triplet
(Dm) (Amsus2) N.C.
|---------1p0--------------------|-----------------------------|
|-----3-------0------0p1h0--------|-------------0-----0-------3-|
|---2---2-----------------0---2---|---------5-----------5p0-----|
|-0-------------------------0---2-|-----7-----------------------|
|-------------0-------------------|s7-------------------------0-|
|---------------------------------|-------------0---------------|
Gtr.1 cont. time 2/4 both are fine
|------------2--------------|---------------|
|--1h3----------5-----7--|---7s-5--------|
|---------0-----------------|---------------|
|---------------------------|---4-2-------|
|---------2-----3-----5--|---9s-7--------|
|---------------------------|---------------|
Gtr.2 there are three triplets there...
qa quarter rest time 2/4
|------------4-7s8p7-5-7s1087|---------------|
|----------5--------------------|-10----8-----|
|-q--2s4-5----------------------|----97--75-|
|-------------------------------|---------------|
|-------------------------------|---------------|
|-------------------------------|---------------|
[4/4]Chorus
Riff C This part was quite tuf to figure
Gtr.1 out, but I gave my best shot
[(Em)] [(Am7)] [(C#m)]
|--------0-----------------------|-----------------------------0---|
|---0-------0-------------0---0---|-------------3-------------5--(5)|
|-4-----0-----5---0-----0---0---5-|---------4s5-------5-----6-------|
|-----5-------------2s4-----------|---------------------------------|
|---------------------------------|-0-------------------2s4---------|
|---------------------------------|---------------------------------|
Gtr.2
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-4-------------------------------|----------------------------11s12|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Gtr.1 triplet based
[(Em)] [(F#7add11)]
|-------7-------------------------|-------------------0-------------|
|-8---8-----8---------------------|---------0-----------0---0-------|
|---9-----------------------------|------------0---------3-----0---|
|------------s8-----7-----5-------|------4--------4-----------------|
|---------------------------------|--------------------------------|
|(0)-------------(0)---(0)--------|-2-------------------------------|
Gtr.2 bend, release and pull-off
|12--12(let ring)-----------------|---0-----------------------------|
|---------------------------------|s5---5-3---0--------------------|
|--12-----------------------------|------------2b3r2p0-2--------0-2-|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Gtr.1
[(Em)] [(Am7)] [(C#m)]
|---------0-----------------------|-----------------------------0---|
|---0-------0-------------0---0---|-------------3-------------5-----|
|-4-----0-----5---0-----0---0---5-|---------4s5-------------6-------|
|-----5-------------2s4-----------|---------------------------------|
|---------------------------------|-0-----------------2s4-----------|
|---------------------------------|---------------------------------|
Gtr.2
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-2s4-----------------------------|----------------------------11s12|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Gtr.1 the notes in parentheses
To Coda are almost inaudible (D.S.al Coda)
[Em] [G/A] [Am] [A5] [(B5)] [(A5/B)] [G6] [E5] [F#5]
|---------------------------------|---------------------------------|
|-0-----------0----1--------------|---------------------------------|
|-0-----------0----2----2---------|---(4)---(4)---(back to riff D)-|
|-2---------------------2---------|--(4)---(4)--2-------------------|
|-------------0---0----0----------|-2-----0----------2----4---------|
|-0-------------------------------|-------------3----0----2---------|
Gtr.2 gtr.2 out
|12--12s14s15---------------------|---------------------------------|
|---------------------------------|---------------------------------|
|--12-----------------------------|--------(rest)-------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Coda 16th note triplet
Gtr.1 N.C. not too sure... (Fm) (Am)
|---------------------------------|--------------------------------|
|---------------------------------|---------1--------------0h1p0----|
|-----(4)----(4)---------------|-----1-----1---------2-------2---|
|--(4)----(4)-------s9----5---4---|---3---3----(3)----2--(2)--------|
|-2------0------------------------|-----------------0---------------|
|---------------3---s7----3---2---|-1-------------------------------|
Gtr.2 don´t strike
|---------------------------------|---------------------------------|
|---------------------------------|--------------------------------|
|-------------(rest)--------------|---------5-------4----5p4-2(2)---|
|---------------------------------|-3-------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Gtr.1
N.C. Ebaug+9 Gm A/C#
|---------------------------------|---------------------------------|
|---------------------0---7p0-0---|------------------------2-------|
|-------------------0---0-------0-|---------0-----------2-------2---|
|---------------------------------|-----0-----0-------2---2---------|
|-------0----s6-------------------|--1---1-----1s4-----------------|
|-0----------->-------------------|-3-------------------------------|
Gtr.2 (pick ´n fingers)
|---------------------------------|---------------------------------|
|------------(0)------------------|6-------------------------------|
|s7-----5-----4-------------------|-----------6---------------------|
|---------------------------------|-8---------7---------------------|
|---------------------------------|--------------------------------|
|---------------------------------|---------------------------------|
Gtr.1
1.-3. ending.....................> 4. ending.......................>
|-0------5----0-------------------|-0------5----0-------------------|
|-5s6----------------------------|-5s6-----------------------------|
|--------5----4-----(s5)5(4)4-----|--------5----4-------------------|
|---------------------------------|---------------------------------|
|--------------------s3---2------|---------------------------------|
|-----------------------------4---|---------------------------------|
Gtr.2 pick ´n fingers
|--------------------s5----4------|---------------------------------|
|-------------0------------------|-------------0-------------------|
|--------------------s5----4------|---------------------------------|
|-5-----s7----2-------------------|-5-----s7----2-------------------|
|--------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Bridge riff D
(2x tempo, the bars consist mostly of 8th notes)
Time 6/4 4/4
Endings 1&2...............>
|-----------------0-0-1-1-|---------------------|-----|
|2-2-2-2-----3-3-3-3-1-1-|---------------------|----|
|---1---2-4-4-2-2-2-2-1-1-|-4--4-2--2-4--4-2--2-|--%--|
|-1---0-----4---0-3---3---|-2--2-3--3-2--2-3--3-|-----|
|--------3---1----------0|-----0----0----0----0|----|
|-------------------------|---------------------|-----|
Time 7/8 4/4 9/8
3. ending......>
|---------------|-----------------|-------------------|
|---0-------0---|----0-------0--|-----0-------0-----|
|-----2---2---2-|-----------2---2-|-----------2---2---|
|-2-----3-------|---2-----3-------|---2-----3---------|
|---------------|0-----0--------|-0-----0---------0-|
|---------------|-----------------|-------------------|
Gtrs.4&5 w/dist.
|---------------|-----------------|-------------------|
|---------------|-----------------|-------------------|
|----(rest)-----|-----(rest)------|-------------------|
|---------------|-----------------|-------------------|
|---------------|-----------------|-------------------|
|---------------|-----------------|-----------------0-|
Gtr.1 Because of the previous bar´s time
signature, the acoustic line gets a bit twisted gtr.1 out
|-----------------|-----------------|-----------------|-----------------|
|---0-------0-----|-----------------|-----------------|-----------------|
|--------2---2---|--------%--------|--------%--------|--------%--------|
|-2-----3---------|-----------------|-----------------|-----------------|
|-----0---------0-|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
Gtrs.4&5
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-7---------------|------------7-|--------------|------------7-|
|-7---------------|------------7-|--------------|------------7-|
|-5---------------|----------0-5-|--------------|----------0-5-|
> > >
Riff E
Gtrs.4&5 on repeats only
Am6 Am Dsus2 Dm Gm N.C.
|---7-7---5-5---5-|-5-------3-3-3---|-----------------|
|--5-5---5-5---5-|-5---6---3-3-3---|-----------------|
|---5-5---5-5---7-|-7---7---3-3-3---|-----0-----------|
|--7-7---7-7-----|-0---0--(0)5-5---|-2h3-------0-----|
|0-----0---------|---------------0-|-------0h1-----0-|
|-------pm--------|---------------pm|-------------3---|
let ring throughout the bar
|------------------------|
|----11-11-11-11-10-10--|
|-----x--x--x--x--x--x---|
|----8--8--8--8--7--7---|
|--------------------|
|------------------------|
Riff F
G#m G(barre) F#m F
|-4-----4--4-4-|4----4-4-4---|-----|-----|-----|-----|-----|-----|
|4-----4--4-4-|4----4-4-4(x)|-----|-----|-----|-----|-----|----|
|-4-----4--4-4-|4----4-4-4(x)|-similar---|-----%-----|-----%-----|
|-6-----6--6-6-|6-6--6-6-6(x)|-strumming-|-----|-----|-----|-----|
|6----(6--6-6-|6)6-(6-6-6)--|-----|-----|-----|-----|-----|----|
|-4------------|-----4----------|-----|-----|-----|-----|-----|-----|
Riff E 2 times
Riff F 2 times
Riff E 4 times
(The notes in
Riff G parentheses are
Gtr.1 (acoustic) virtually inaudible)
(Dsus2) (Dsus2/C) (Bm7) (G5) (Fmaj7-5) N.C.
|---------0-------|---------0-------|-----------------|----------------|
|-----3-----3-----|-----3-----3-----|-----3-----3-----|------0-----|
|---2---2-----2---|---2---2-----2---|---2-----0-------|-2-------(2)-(0)|
|-0---------------|-----------------|---------------2-|--s5----3---2---|
|---------------0-|-3-------------0-|-2---------------|---------------|
|-----------------|-----------------|-------3-----1---|----------------|
I have FIVE! gtrs. playing here! When I listened one speaker at time,
I could block these voices represented by gtrs.4,5,6&7. All gtrs.
have different volumes and some notes are heavily on the back ground,
almost inaudible. When you play this make your own combination.
Gtr.1 w/riff H
Gtr.4 (higher notes)
Gtr.5 to the left of slash (lower notes) note below only by gtr.4
|--------------|-----------------|-----------------|------------------|
|-------------|-----------------|-----------------|-----------------|
|-5h7-------7--|-2/7-7-5-----5-7-|-10-----9-----7--|-5h7-------------|
|-2h3-------3--|-----5-2---------|-3------5-----3--|---5-7-3/5-2/3----|
|-------------|-----------------|-----------------|-----------------|
|--------------|-----------------|-----------------|------------------|
Gtr.6 (higher notes) repeat and
Gtr.7 to the left of slash (lower notes) both gtrs. fade out
|--------------------|-----------|-----------------|-----------------|
|-------------------|-10h8-------|-------8---------|---8----10h11-10-|
|-5/9h7/10-----7/10--|-----9-------|-10----9---7/10--|-5--------2h3-2---|
|--------------------|-------------|-----------------|------------------|
|-------------------|-------------|-----------------|-----------------|
|--------------------|-------------|-----------------|------------------|
Artist:Opeth
Album:Still Life (1999)
Composition:Face of Melinda
Transcription:Idar Wiik ([email protected])
Version:1.0
Tuning:standard
|a bar line (an actual bar line)
( )a ghost note
a sustained note
ba (pre-)bent note
>an emphasized note/chord
a transcriber´s note
Time 4/4
Riff a
Gtr.1 (acoustic), pick w/fingers
(let all notes ring)
1st time play an open E
[A5add9] [D5] [(Em)]
|-7----5-------2h3-|-0-----------0h5-0-----0---------|
|5-----3-----------|-------------------4s5---0h1-----|
|-------------------|-----0h2---------------------2s4-|
|-------0-----------|---------2-----------------------|
|0-----------------|---------------------------------|
|-------------------|---0-----------------------------|
4th time there´s a rest before C/A chord
C/A Bm/G# (Badd-9) 4 times
|------------------|-----------------------|
|-5-----3-----------|-------0------(0)-----|
|-5-----4-----------|---------s5------------|
|-------------------|----1------------------|
|---------------0h1-|-2--------------------|
|-5-----4-----------|-----------------------|
Riff B notes in parentheses are sometimes
(Segno) substituted for each other...
(Dm) (Amsus2) 16th note triplet N.C. 4 times
|---------1p0--------------------|------(0)-----------0-------|
|----3-------0------0p1h0--------|----------0-----0-------0--|
|---2---2-----------------0---2---|------(5)---------5---5---0-|
|-0-------------------------0---2-|----7-----------------------|
|------------0-------------------|s7-------------------------|
|---------------------------------|----------0-----------------|
Verse
Gtrs.2&3 (clean electrics.) gtr.2 higher, gtr.3 lower
Gtr.1 w/riff B both gtrs. 4 times
|-7-----------------------|--------------------------|
|6------6--5------6------|------5-----------------|
|--------5--7------5--4/7-|---------5-----4----------|
|-------------------------|---------7-----6----------|
|------------------------|-------------------------|
|-------------------------|--------------------------|
Gtr.1
Gtrs.2&3 w/riff B once 16th note triplet
(Dm) (Amsus2) N.C.
|---------1p0--------------------|-----------------------------|
|-----3-------0------0p1h0--------|-------------0-----0-------3-|
|---2---2-----------------0---2---|---------5-----------5p0-----|
|-0-------------------------0---2-|-----7-----------------------|
|-------------0-------------------|s7-------------------------0-|
|---------------------------------|-------------0---------------|
Gtr.1 cont. time 2/4 both are fine
|------------2--------------|---------------|
|--1h3----------5-----7--|---7s-5--------|
|---------0-----------------|---------------|
|---------------------------|---4-2-------|
|---------2-----3-----5--|---9s-7--------|
|---------------------------|---------------|
Gtr.2 there are three triplets there...
qa quarter rest time 2/4
|------------4-7s8p7-5-7s1087|---------------|
|----------5--------------------|-10----8-----|
|-q--2s4-5----------------------|----97--75-|
|-------------------------------|---------------|
|-------------------------------|---------------|
|-------------------------------|---------------|
[4/4]Chorus
Riff C This part was quite tuf to figure
Gtr.1 out, but I gave my best shot
[(Em)] [(Am7)] [(C#m)]
|--------0-----------------------|-----------------------------0---|
|---0-------0-------------0---0---|-------------3-------------5--(5)|
|-4-----0-----5---0-----0---0---5-|---------4s5-------5-----6-------|
|-----5-------------2s4-----------|---------------------------------|
|---------------------------------|-0-------------------2s4---------|
|---------------------------------|---------------------------------|
Gtr.2
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-4-------------------------------|----------------------------11s12|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Gtr.1 triplet based
[(Em)] [(F#7add11)]
|-------7-------------------------|-------------------0-------------|
|-8---8-----8---------------------|---------0-----------0---0-------|
|---9-----------------------------|------------0---------3-----0---|
|------------s8-----7-----5-------|------4--------4-----------------|
|---------------------------------|--------------------------------|
|(0)-------------(0)---(0)--------|-2-------------------------------|
Gtr.2 bend, release and pull-off
|12--12(let ring)-----------------|---0-----------------------------|
|---------------------------------|s5---5-3---0--------------------|
|--12-----------------------------|------------2b3r2p0-2--------0-2-|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Gtr.1
[(Em)] [(Am7)] [(C#m)]
|---------0-----------------------|-----------------------------0---|
|---0-------0-------------0---0---|-------------3-------------5-----|
|-4-----0-----5---0-----0---0---5-|---------4s5-------------6-------|
|-----5-------------2s4-----------|---------------------------------|
|---------------------------------|-0-----------------2s4-----------|
|---------------------------------|---------------------------------|
Gtr.2
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-2s4-----------------------------|----------------------------11s12|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Gtr.1 the notes in parentheses
To Coda are almost inaudible (D.S.al Coda)
[Em] [G/A] [Am] [A5] [(B5)] [(A5/B)] [G6] [E5] [F#5]
|---------------------------------|---------------------------------|
|-0-----------0----1--------------|---------------------------------|
|-0-----------0----2----2---------|---(4)---(4)---(back to riff D)-|
|-2---------------------2---------|--(4)---(4)--2-------------------|
|-------------0---0----0----------|-2-----0----------2----4---------|
|-0-------------------------------|-------------3----0----2---------|
Gtr.2 gtr.2 out
|12--12s14s15---------------------|---------------------------------|
|---------------------------------|---------------------------------|
|--12-----------------------------|--------(rest)-------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Coda 16th note triplet
Gtr.1 N.C. not too sure... (Fm) (Am)
|---------------------------------|--------------------------------|
|---------------------------------|---------1--------------0h1p0----|
|-----(4)----(4)---------------|-----1-----1---------2-------2---|
|--(4)----(4)-------s9----5---4---|---3---3----(3)----2--(2)--------|
|-2------0------------------------|-----------------0---------------|
|---------------3---s7----3---2---|-1-------------------------------|
Gtr.2 don´t strike
|---------------------------------|---------------------------------|
|---------------------------------|--------------------------------|
|-------------(rest)--------------|---------5-------4----5p4-2(2)---|
|---------------------------------|-3-------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Gtr.1
N.C. Ebaug+9 Gm A/C#
|---------------------------------|---------------------------------|
|---------------------0---7p0-0---|------------------------2-------|
|-------------------0---0-------0-|---------0-----------2-------2---|
|---------------------------------|-----0-----0-------2---2---------|
|-------0----s6-------------------|--1---1-----1s4-----------------|
|-0----------->-------------------|-3-------------------------------|
Gtr.2 (pick ´n fingers)
|---------------------------------|---------------------------------|
|------------(0)------------------|6-------------------------------|
|s7-----5-----4-------------------|-----------6---------------------|
|---------------------------------|-8---------7---------------------|
|---------------------------------|--------------------------------|
|---------------------------------|---------------------------------|
Gtr.1
1.-3. ending.....................> 4. ending.......................>
|-0------5----0-------------------|-0------5----0-------------------|
|-5s6----------------------------|-5s6-----------------------------|
|--------5----4-----(s5)5(4)4-----|--------5----4-------------------|
|---------------------------------|---------------------------------|
|--------------------s3---2------|---------------------------------|
|-----------------------------4---|---------------------------------|
Gtr.2 pick ´n fingers
|--------------------s5----4------|---------------------------------|
|-------------0------------------|-------------0-------------------|
|--------------------s5----4------|---------------------------------|
|-5-----s7----2-------------------|-5-----s7----2-------------------|
|--------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
Bridge riff D
(2x tempo, the bars consist mostly of 8th notes)
Time 6/4 4/4
Endings 1&2...............>
|-----------------0-0-1-1-|---------------------|-----|
|2-2-2-2-----3-3-3-3-1-1-|---------------------|----|
|---1---2-4-4-2-2-2-2-1-1-|-4--4-2--2-4--4-2--2-|--%--|
|-1---0-----4---0-3---3---|-2--2-3--3-2--2-3--3-|-----|
|--------3---1----------0|-----0----0----0----0|----|
|-------------------------|---------------------|-----|
Time 7/8 4/4 9/8
3. ending......>
|---------------|-----------------|-------------------|
|---0-------0---|----0-------0--|-----0-------0-----|
|-----2---2---2-|-----------2---2-|-----------2---2---|
|-2-----3-------|---2-----3-------|---2-----3---------|
|---------------|0-----0--------|-0-----0---------0-|
|---------------|-----------------|-------------------|
Gtrs.4&5 w/dist.
|---------------|-----------------|-------------------|
|---------------|-----------------|-------------------|
|----(rest)-----|-----(rest)------|-------------------|
|---------------|-----------------|-------------------|
|---------------|-----------------|-------------------|
|---------------|-----------------|-----------------0-|
Gtr.1 Because of the previous bar´s time
signature, the acoustic line gets a bit twisted gtr.1 out
|-----------------|-----------------|-----------------|-----------------|
|---0-------0-----|-----------------|-----------------|-----------------|
|--------2---2---|--------%--------|--------%--------|--------%--------|
|-2-----3---------|-----------------|-----------------|-----------------|
|-----0---------0-|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
Gtrs.4&5
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-7---------------|------------7-|--------------|------------7-|
|-7---------------|------------7-|--------------|------------7-|
|-5---------------|----------0-5-|--------------|----------0-5-|
> > >
Riff E
Gtrs.4&5 on repeats only
Am6 Am Dsus2 Dm Gm N.C.
|---7-7---5-5---5-|-5-------3-3-3---|-----------------|
|--5-5---5-5---5-|-5---6---3-3-3---|-----------------|
|---5-5---5-5---7-|-7---7---3-3-3---|-----0-----------|
|--7-7---7-7-----|-0---0--(0)5-5---|-2h3-------0-----|
|0-----0---------|---------------0-|-------0h1-----0-|
|-------pm--------|---------------pm|-------------3---|
let ring throughout the bar
|------------------------|
|----11-11-11-11-10-10--|
|-----x--x--x--x--x--x---|
|----8--8--8--8--7--7---|
|--------------------|
|------------------------|
Riff F
G#m G(barre) F#m F
|-4-----4--4-4-|4----4-4-4---|-----|-----|-----|-----|-----|-----|
|4-----4--4-4-|4----4-4-4(x)|-----|-----|-----|-----|-----|----|
|-4-----4--4-4-|4----4-4-4(x)|-similar---|-----%-----|-----%-----|
|-6-----6--6-6-|6-6--6-6-6(x)|-strumming-|-----|-----|-----|-----|
|6----(6--6-6-|6)6-(6-6-6)--|-----|-----|-----|-----|-----|----|
|-4------------|-----4----------|-----|-----|-----|-----|-----|-----|
Riff E 2 times
Riff F 2 times
Riff E 4 times
(The notes in
Riff G parentheses are
Gtr.1 (acoustic) virtually inaudible)
(Dsus2) (Dsus2/C) (Bm7) (G5) (Fmaj7-5) N.C.
|---------0-------|---------0-------|-----------------|----------------|
|-----3-----3-----|-----3-----3-----|-----3-----3-----|------0-----|
|---2---2-----2---|---2---2-----2---|---2-----0-------|-2-------(2)-(0)|
|-0---------------|-----------------|---------------2-|--s5----3---2---|
|---------------0-|-3-------------0-|-2---------------|---------------|
|-----------------|-----------------|-------3-----1---|----------------|
I have FIVE! gtrs. playing here! When I listened one speaker at time,
I could block these voices represented by gtrs.4,5,6&7. All gtrs.
have different volumes and some notes are heavily on the back ground,
almost inaudible. When you play this make your own combination.
Gtr.1 w/riff H
Gtr.4 (higher notes)
Gtr.5 to the left of slash (lower notes) note below only by gtr.4
|--------------|-----------------|-----------------|------------------|
|-------------|-----------------|-----------------|-----------------|
|-5h7-------7--|-2/7-7-5-----5-7-|-10-----9-----7--|-5h7-------------|
|-2h3-------3--|-----5-2---------|-3------5-----3--|---5-7-3/5-2/3----|
|-------------|-----------------|-----------------|-----------------|
|--------------|-----------------|-----------------|------------------|
Gtr.6 (higher notes) repeat and
Gtr.7 to the left of slash (lower notes) both gtrs. fade out
|--------------------|-----------|-----------------|-----------------|
|-------------------|-10h8-------|-------8---------|---8----10h11-10-|
|-5/9h7/10-----7/10--|-----9-------|-10----9---7/10--|-5--------2h3-2---|
|--------------------|-------------|-----------------|------------------|
|-------------------|-------------|-----------------|-----------------|
|--------------------|-------------|-----------------|------------------|
