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Find: 'fmaj7' - page 51
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Everything Must Go
5 years ago
1080
Everything Must Go (2003)
Steely Dan
Everything Must Go ..very freely: |Abmaj13/Db |Fm7/Bb | | | |Bbm13 A7 |Abmaj9/6 | | | |Bbm7 Cm7 |Dbmaj7 Ebmaj7|Fmaj7 Eb/G |F/A Bbmaj7 | |G7sus4 G7 |Gm7/C | | |C7 | | ..in tempo: |F G |F Eb |C | | |F G |F Eb |C | | |G13 G7+5 |C7 |F E7+5 |Am C+5/D | |D7 E7+5 |F G F/G |C | | It's high time for a [F9]walk on the [G7]real side [F]...
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Pure Vernunft darf niemals siegen
5 years ago
816
Pure Vernunft darf niemals siegen (2005)
Tocotronic
Tocotronic - Pure Vernunft darf niemals siegen Standard tuning, capo 2 Intro: C E G Fmaj7 (4x) Verse 1: [C]Pure Vern[E]unft [G]darf niemals [Fmaj7]siegen [C]Wir brauchen [E]dringend[G] neue [Fmaj7]Lügen [C]Die uns durchs [E]Uni[G]versum [Fmaj7]leiten [Am]Und uns das [Em]Fest der [G]Welt be[Fmaj7]reiten [C]Die das De[G]liri[Em]um...
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Walk in the Park
5 years ago
1197
Teen Dream (2010)
Beach House
Beach House - Walk in the Park [Gm] [C] [Bb] [F] [C] [Gm] [C] [Bb] [Bb] [F]You go for a [C]walk in the [Gm]park 'Cause you don't [C]need anyt[Bb]hing [F]The hand that you [C]sometimes [Gm]hold Doesn't [C]do anything[Bb] [F]The face that you [C]see in the [Gm]door Isn't [C]standing there anymore[Bb] [F] [C] [Bb] In a matter of time [F] [C]...
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Un musicien parmi tant d'autres
5 years ago
1708
Harmonium (1974)
Harmonium
Toune:Un musicien parmi tant d'autres Un musicien parmi tant d'autres (Harmonium) Paroles et musique de Serge Fiori Tablature de Marty McFly [A/B] [Gm7/D] [Ebmaj7] [D9] [Fmaj7] [Gmaj7] [G] [G/F] [Em7] [Am7] [D7] [Fmaj7/G] [G6/A] [Cadd9] Intro guitare (12 cordes) RIFF 1 [A/B] (Jouer le riff 1 comme intro et durant une partie des...
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What Is Not Love
5 years ago
774
I See Things Upside Down (2004)
Derek Webb
Song: What is Not Love Album: I See Things Upside Down Tabber:
[email protected]
Chords Used:(these may not be the ACTUAL names, but they'll do for this tab) Fmaj7 - x33210 C - x32010 Cmaj7 - x32000 Fmaj2 - 133010 Fmaj2,6 - 130010 G - 320003 (or 320033) Gsus - 3x2013 Gmaj7sus- x23010 Am - x02210 D2/F# - 200230 D - xx0232 Intro: [Fmaj7]...
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Leaving
5 years ago
547
Elysium (2012)
Pet Shop Boys
Leaving - Pet Shop Boys Tabbed by: maguri Tuning: Standard Pet Shop Boys Leaving (2012) (Tennant/Lowe) From: "Elysium" CHORDS Dm9 [E-A-D-G-B-E]x-5-3-5-5-x or x-x-0-1-2-0 G6 3-5-x-4-5-3 Em7 0-2-0-0-0-0 INTRO | Dm9 | % | G6 | Am | | Dm9 | % | G | Am | I [Dm9]know when enough's enough and you're leaving You?ve [G6]had enough time to...
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What I Do
5 years ago
472
Morph the Cat (2006)
Donald Fagen
What I Do ' Donald Fagen Tuning: Standard Donald Fagen What I Do (2006) (Donald Fagen) Great song, but I'm not quite sure about the nature of some chords in the middle 8. If you've got any ideas for improvement here, please tell me. CHORDS and SPECIAL VOICINGS E-A-D-G-B-e G/A x-0-0-0-x-x G/F 3-x-3-2-1-x Cdim x-3-4-2-3-x C/D...
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Was den Himmel erhellt
5 years ago
902
Buchstaben über der Stadt (2006)
Tomte
Tuning: Standart Bei Fragen, Unklarheiten oder Wünschen (z.B die andere Gitarrenspur) schreibt mir einfach... Bei dem Song müsst ihr manchmal ein bisschen probieren ob F oder Fmaj7 besser klingt... _____________________________ Am x02210 G 320003 Fmaj7 x03210 [F]C [133211]x32010 [Am]Du sagtest, wir verlieren Die stärksten und schönsten Söhne...
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Sour Suite
5 years ago
764
So Long, Bannatyne (1971)
The Guess Who
Chorded by Dave Kelly -
[email protected]
This is a beautiful, lesser known Guess Who song. On the Am7 you can go back and forth from (x02010) to (x02030) to mimic the piano melody, and on Fmaj7 from (xx3210) to (xx3230). Chords (in order of appearance): Am7 - (x02010) Fmaj7 - (xx3210) Em9 - (022032) or (020002) Dmaj7 - (xx0222) C -...
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Plans
4 years ago
425
Oh Wonder (2015)
Oh Wonder
Made a home in [Fmaj7]a basemen[C]t[Fmaj7] Didn't th[C]ink that I'd need the l[Fmaj7]ight Cause all these pl[C]ans I've been making[Fmaj7] Get me [C]out of here in time[Fmaj7] But it's always tw[C]o steps backward[Fmaj7]s Too much gr[C]avity to feel the h[Fmaj7]ights And all these pl[C]ans I've been chasing[Fmaj7] Getting c[C]aught up and...
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