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##This file is the author's own work and represents their interpretation of the #
##song. You may only use this file for private study, scholarship, or research. #
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#LET ME INTO YOUR HEART (Mary Chapin Carpenter)
#
[Actually in C; capo 5.]
[Each chord is two beats.]
[G][in[C]tro[G]] [C] [G] [C] [G] [C]
You're like a [G]cool breeze[C] to a h[G]ot spell[C]
You're like a [G]long drink[C] to a dr[G]y well[C]
Oh I [C]know by n[C]ow, there's [C]no use th[C]inking
That it's [G]something in that [C]water [G]I've been dr[C]inking
Cause I [D]would not n[D]eed even [D7]one more dr[D7]op
If you'd [G]just let me [C]into your h[G]eart [C]
You're like a blue sky to a gray day
You're like a new try to an old way
Oh, I never needed much convincing
'Bout that something in my life that's been missing
But I think I know where to find that part
If you'd just let me into your heart
I've got a [C]past baby,[C] now who [G]doesn't [G]
I won't [C]ask you to [C]think that I [G]wasn't [G]
Who I [Em]was back th[Em]en, [Em]yes it's tr[Em]ue
But [A]that was wh[A]en I [D7]didn't know y[D7]ou
You're like a sweet sight to these tired eyes
You're like the first light after a long night
Oh I never believed in the hands of fate
But to be with you, baby, I believe I'd wait
Till the end of time for a chance to start
If you'd just let me into your heart
[C][ins[C]trum[G]enta[G]l] [C] [C] [G] [G]
[Em][ins[Em]trum[Em]enta[Em]l] [A] [A] [D7] [D7]
G [stop] (C) G C
You're like a sweet smile to these tired eyes
You're like the [G]last mile[C] on a l[G]ong ride [C]
C C C#dim C#dim [you can sub A7 for C#dim]
Oh I never believed in the arms of fate
But to [G]be in yours [G/F#]darling, I be[Em]lieve I'd w[Em]ait
Till the [D]end of t[D]ime for a [D7]chance to st[D7]art
If you'd [G]just let me [C]into your h[G]eart [C]
Till the [D]end of t[D]ime, baby [D]I can st[D]art
If you'd [G]just let me [C]into your h[G]eart [C]
G C G C G C G C G C G.
[instrumental]
- Adam Schneider, [email protected]
#
#----------------------------------PLEASE NOTE---------------------------------#
##This file is the author's own work and represents their interpretation of the #
##song. You may only use this file for private study, scholarship, or research. #
#
#------------------------------------------------------------------------------#
#
#
#LET ME INTO YOUR HEART (Mary Chapin Carpenter)
#
----------------------------------------------
[Actually in C; capo 5.]
[Each chord is two beats.]
[G][in[C]tro[G]] [C] [G] [C] [G] [C]
You're like a [G]cool breeze[C] to a h[G]ot spell[C]
You're like a [G]long drink[C] to a dr[G]y well[C]
Oh I [C]know by n[C]ow, there's [C]no use th[C]inking
That it's [G]something in that [C]water [G]I've been dr[C]inking
Cause I [D]would not n[D]eed even [D7]one more dr[D7]op
If you'd [G]just let me [C]into your h[G]eart [C]
You're like a blue sky to a gray day
You're like a new try to an old way
Oh, I never needed much convincing
'Bout that something in my life that's been missing
But I think I know where to find that part
If you'd just let me into your heart
I've got a [C]past baby,[C] now who [G]doesn't [G]
I won't [C]ask you to [C]think that I [G]wasn't [G]
Who I [Em]was back th[Em]en, [Em]yes it's tr[Em]ue
But [A]that was wh[A]en I [D7]didn't know y[D7]ou
You're like a sweet sight to these tired eyes
You're like the first light after a long night
Oh I never believed in the hands of fate
But to be with you, baby, I believe I'd wait
Till the end of time for a chance to start
If you'd just let me into your heart
[C][ins[C]trum[G]enta[G]l] [C] [C] [G] [G]
[Em][ins[Em]trum[Em]enta[Em]l] [A] [A] [D7] [D7]
G [stop] (C) G C
You're like a sweet smile to these tired eyes
You're like the [G]last mile[C] on a l[G]ong ride [C]
C C C#dim C#dim [you can sub A7 for C#dim]
Oh I never believed in the arms of fate
But to [G]be in yours [G/F#]darling, I be[Em]lieve I'd w[Em]ait
Till the [D]end of t[D]ime for a [D7]chance to st[D7]art
If you'd [G]just let me [C]into your h[G]eart [C]
Till the [D]end of t[D]ime, baby [D]I can st[D]art
If you'd [G]just let me [C]into your h[G]eart [C]
G C G C G C G C G C G.
[instrumental]
- Adam Schneider, [email protected]
