"Lake City" by Bebo Norman
From the album "The Fabric Of Verse"
Words and music by Bebo Norman
Copyright1996 Bebo Norman
bebonorman.com awakeningrecords.com
Transcribed by T-rev http://www.t-rev.net
Capo 2 on a standard-tuned six-string acoustic. Finger pick at a
moderate tempo in 4/4 time. Bebo plays fingerstyle with acrylic nails.
It's in G major relative to the capo (which is concert A).
These are the finger positions that I think are best to use.
Though they may not be the most natural for each individual chord, they
are best because they lend themselves to quick, easy chord changes and
hitting the extra notes within chords. For instance, by using the same
finger for both the 3rd and 5th strings (one at a time, don't bar) in
the G6/B chord, you force yourself to play the odd A bass note on beat
4 (that you might otherwise forget) because you have to move your
finger to the 3rd string on beat 3. You get the idea. Anyway, these
are the best fingerings overall, but if you prefer other fingerings
that's up to you. The positions in parentheses are what you move to
while playing that chord.
_____G9______ ____G6/B_____ _____C2______ ____Dsus4____
[(1)] [1] [(1)] [1]
[3] [4] [4] [3][4(4)][1]
[2]
[3][4]
[1] [2]
[1] [2] [3] [4] [1] [2] [3] [4]
G9............................. G6/B...........................
[3] [4]
[1] [2] [3] [4] [1] [2][3][4]
C2............................. Dsus4..........................
17 18
1 2 3 4 5 6 7 8 1 2
D.............................. G.......
chorus
3x0033 G
x30033 C9
xx0232 D (with measure 17 lick)
verses
x30000 C2maj7 first time instead of C2
bridge
[Em] [D/A] [G] [E/G#] [Am] [G] [D/F#] [D]
last choruses with mandolin
3x0233 G9
Transcribed 3/18/1998 by T-rev
More tab available at http://www.t-rev.net
From the album "The Fabric Of Verse"
Words and music by Bebo Norman
Copyright1996 Bebo Norman
bebonorman.com awakeningrecords.com
Transcribed by T-rev http://www.t-rev.net
Capo 2 on a standard-tuned six-string acoustic. Finger pick at a
moderate tempo in 4/4 time. Bebo plays fingerstyle with acrylic nails.
It's in G major relative to the capo (which is concert A).
These are the finger positions that I think are best to use.
Though they may not be the most natural for each individual chord, they
are best because they lend themselves to quick, easy chord changes and
hitting the extra notes within chords. For instance, by using the same
finger for both the 3rd and 5th strings (one at a time, don't bar) in
the G6/B chord, you force yourself to play the odd A bass note on beat
4 (that you might otherwise forget) because you have to move your
finger to the 3rd string on beat 3. You get the idea. Anyway, these
are the best fingerings overall, but if you prefer other fingerings
that's up to you. The positions in parentheses are what you move to
while playing that chord.
_____G9______ ____G6/B_____ _____C2______ ____Dsus4____
-----o-o-o--- -----o-o---o- -----o-o----- -------o-----
------------- ------------- ------------- -------------
[(1)] [1] [(1)] [1]
------------- ------------- ------------- -------------
[3] [4] [4] [3][4(4)][1]
------------- ------------- ------------- -------------
[2]
------------- ------------- ------------- -------------
[3][4]
------------- ------------- ------------- -------------
[1] [2]
[1] [2] [3] [4] [1] [2] [3] [4]
--------------3---------------- --------------0----------------
----------0-----------0-------- ----------3-----------3--------
------0h2---------2-------2---0 ------0-----------0-------2---0
----0-----------0-------0------ ----0-------0---0-------0------
------------------------------- 2-------2-----------2-------0--
3-----------3-------3-------3-- -------------------------------
G9............................. G6/B...........................
[3] [4]
[1] [2] [3] [4] [1] [2][3][4]
--------------2-------3-------- --------------5----------------
----------3-------------------- ----------3-----------3--------
------0-----------0-------0---0 ------0-----------0-------0----
----0-------0---0-------0------ ----4-------4---4-------4------
3-------3-----------3-------3-- 5-------5-----------5-------5--
------------------------------- -------------------------------
C2............................. Dsus4..........................
17 18
1 2 3 4 5 6 7 8 1 2
----------0-----0h2------------ ----3---
------3-------3---------3------ ----3---
----2-------2-------2---------- ----0--- strumming chorus
0-------0---------------------- ----0---
------------------------------- ----x---
------------------------------- 3-------
D.............................. G.......
chorus
3x0033 G
x30033 C9
xx0232 D (with measure 17 lick)
verses
x30000 C2maj7 first time instead of C2
bridge
[Em] [D/A] [G] [E/G#] [Am] [G] [D/F#] [D]
last choruses with mandolin
3x0233 G9
Transcribed 3/18/1998 by T-rev
More tab available at http://www.t-rev.net
