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(5.65c8/IDA-1.2.8) id AA01347; Fri, 11 Mar 1994 08:23:04 +0100
Date: Fri, 11 Mar 1994 08:23:04 +0100
From: Olivier Grisvard
Message-Id:
To: jamesb@nevada.edu
Subject: MARILLION - He Knows You Know
MARILLION
Song: He Knows You Know
Album: Script For A Jester's Tear
Music: Fish, Rothery, Kelly, Trewavas, Pointer
Key: C (Am)
Time: 4/4
Tempo: 138
Rythm notations:
Notes:
1 | 2 | 4 | 4 | | 8 |
+ | |_| |/
Rests:
1 \ 1 |
( |
Tie: __
/ \
10 (10) or 10 (10)
| | |\__/|
| | | |
Other notations:
One Step Bend:
full full--|
1[/]0 or 1[/]0 (10)
| |\__/|
| | |
One Step Bend & Release:
full
/ \
10 (10)
| |
| |
Pull Off:
P
/ \
12 10
| |
| |
Structure:
Rhy. Fig. 1 (6 times) + Rhy. Fig. 2 (4 times)
+ Rhy. Fig. 2 (first 6 bars) + Rhy. Fill 1
+ 18 bars of silence (keyboard interlude)
+ Rhy. Fig. 3 (2 times) + Solo (2 times)
+ Rhy. Fig. 2 (5 times) + Rhy. Fig. 3 (3 times)
+ Rhy. Fill 2
Rhy. Fig. 1: (clean sound w/ delay)
| |_| |_| |_| |_| |_| |_| |_|
| |__| |_| |__| |_| |_| |_| |_|
Rhy. Fig. 2: (clean sound w/ delay)
| |_| |_| |_| |_| |/| |/|
| |_| |_| |_| |_| |/| |/ |
| |_| |_| |_| |_| |/| |/ |
| |_| |_| |_| |_| |_| |_| |_|
Rhy. Fill 1: (clean sound w/ delay)
| |_| |_| |_| |
Rhy. Fig. 3: (light distorsion)
___
/ \
| | |__| |__| |/ | | |/ |
__
/ \
| | |_| |_| | |/ | | |/|
___
/ \
| | |__| |__| |/ | | |/ |
___
/ \
| | |__| |__| |/ | | |/ |
Solo: (Rothery's special lead sound...)
full full P full---|
+ |___| |__|
___
+ | |__|
+ | |__|
full---|
+ | |__|
Rhy. Fill. 2: (clean sound w/ delay)
|
Guitar Transcription: Olivier Grisvard - March 1994.
Received: by aurora.unice.fr
(5.65c8/IDA-1.2.8) id AA01347; Fri, 11 Mar 1994 08:23:04 +0100
Date: Fri, 11 Mar 1994 08:23:04 +0100
From: Olivier Grisvard
Message-Id:
To: jamesb@nevada.edu
Subject: MARILLION - He Knows You Know
MARILLION
Song: He Knows You Know
Album: Script For A Jester's Tear
Music: Fish, Rothery, Kelly, Trewavas, Pointer
Key: C (Am)
Time: 4/4
Tempo: 138
Rythm notations:
Notes:
1 | 2 | 4 | 4 | | 8 |
+ | |_| |/
Rests:
1 \ 1 |
( |
Tie: __
/ \
10 (10) or 10 (10)
| | |\__/|
| | | |
Other notations:
One Step Bend:
full full--|
1[/]0 or 1[/]0 (10)
| |\__/|
| | |
One Step Bend & Release:
full
/ \
10 (10)
| |
| |
Pull Off:
P
/ \
12 10
| |
| |
Structure:
Rhy. Fig. 1 (6 times) + Rhy. Fig. 2 (4 times)
+ Rhy. Fig. 2 (first 6 bars) + Rhy. Fill 1
+ 18 bars of silence (keyboard interlude)
+ Rhy. Fig. 3 (2 times) + Solo (2 times)
+ Rhy. Fig. 2 (5 times) + Rhy. Fig. 3 (3 times)
+ Rhy. Fill 2
Rhy. Fig. 1: (clean sound w/ delay)
|-----------------|------------------|
T|-----------------|------------------|
A|-----5-----4-----|-5-----7-----9----|
B|-----|-7---|-5---|-|-7---|-9---|-10-|
|-0---|-|-0-|-|-0-|-|-|-0-|-|-0-|-|--|
|-|---|-|-|-|-|-|-|-|-|-|-|-|-|-|-|--|
| |_| |_| |_| |_| |_| |_| |_|
|--------------------|-----------------|
T|--------------------|-----------------|
A|-----10------9------|-7-----5-----4---|
B|-----|--12---|-10---|-|-9---|-7---|-5-|
|-0---|--|--0-|-|--0-|-|-|-0-|-|-0-|-|-|
|-|---|--|--|-|-|--|-|-|-|-|-|-|-|-|-|-|
| |__| |_| |__| |_| |_| |_| |_|
Rhy. Fig. 2: (clean sound w/ delay)
|-----------------|-----------------|
T|-----------------|-----------------|
A|-----5-----4-----|-5-----7---------|
B|-----|-7---|-5---|-|-7---|---9-----|
|-0---|-|-0-|-|-0-|-|-|-0-|---|-0---|
|-|---|-|-|-|-|-|-|-|-|-|-|---|-|---|
| |_| |_| |_| |_| |/| |/|
|-----------------|------------------|
T|-----------------|------------------|
A|-----5-----4-----|-5-----9----------|
B|-----|-7---|-5---|-|-7---|---10-----|
|-0---|-|-0-|-|-0-|-|-|-0-|---|--0---|
|-|---|-|-|-|-|-|-|-|-|-|-|---|--|---|
| |_| |_| |_| |_| |/| |/ |
|-----------------|-------------------|
T|-----------------|-------------------|
A|-----5-----4-----|-5-----12----------|
B|-----|-7---|-5---|-|-7---|----10-----|
|-0---|-|-0-|-|-0-|-|-|-0-|----|--0---|
|-|---|-|-|-|-|-|-|-|-|-|-|----|--|---|
| |_| |_| |_| |_| |/| |/ |
|-----------------|-5-----5-----5---|
T|-----------------|-|-5---|-5---|-5-|
A|-----5-----4-----|-|-|-5-|-|-5-|-|-|
B|-----|-7---|-5---|-|-|-|-|-|-|-|-|-|
|-0---|-|-0-|-|-0-|-|-|-|-|-|-|-|-|-|
|-|---|-|-|-|-|-|-|-|-|-|-|-|-|-|-|-|
| |_| |_| |_| |_| |_| |_| |_|
Rhy. Fill 1: (clean sound w/ delay)
|-----------------|-----------------|
T|-----------------|-----------------|
A|-----5-----4-----|-5---\---\---\---|
B|-----|-7---|-5---|-|---(---(---(---|
|-0---|-|-0-|-|-0-|-|---------------|
|-|---|-|-|-|-|-|-|-|---------------|
| |_| |_| |_| |
Rhy. Fig. 3: (light distorsion)
___
/ \
|-8----8----8--8--8--8--|-(8-)-8----8----8--8----|
T|-10---10---10-10-10-10-|-(10)-10---10---10-10---|
A|-9----9----9--9--9--9--|-(9-)-9----9----9--9----|
B|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
| | |__| |__| |/ | | |/ |
__
/ \
|-7---7---7-7-7-7-|-(7)-7---7---7-7---|
T|-8---8---8-8-8-8-|-(8)-8---8---8-8---|
A|-7---7---7-7-7-7-|-(7)-7---7---7-7---|
B|-|---|---|-|-|-|-|--|--|---|---|-|---|
|-|---|---|-|-|-|-|--|--|---|---|-|---|
|-|---|---|-|-|-|-|--|--|---|---|-|---|
| | |_| |_| | |/ | | |/|
___
/ \
|-10---10---10-10-10-10-|-(10)-10---10---10-10---|
T|-10---10---10-10-10-10-|-(10)-10---10---10-10---|
A|-11---11---11-11-11-11-|-(11)-11---11---11-11---|
B|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
| | |__| |__| |/ | | |/ |
___
/ \
|-12---12---12-12-12-12-|-(12)-12---12---12-12---|
T|-12---12---12-12-12-12-|-(12)-12---12---12-12---|
A|-12---12---12-12-12-12-|-(12)-12---12---12-12---|
B|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
|-|----|----|--|--|--|--|--|---|----|----|--|----|
| | |__| |__| |/ | | |/ |
Solo: (Rothery's special lead sound...)
full full P full---|
|--/--------/-\--/-\---/-|--------------------|
T|-15-------15-(15)-13-15-|-(15)---------------|
A|-|--------|---|---|--|\_|_/|-----------------|
B|-|--------|---|---|--|--|--|-----------------|
|-|--------|---|---|--|--|--|-----------------|
|-|--------|---|---|--|--|--|-----------------|
+ |___| |__|
___
|-------------------/-|-\------------------|
T|-15-------15---13-12-|-(12)---------------|
A|-|--------|----|--|--|--|-----------------|
B|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
+ | |__|
|--------------------_|_-------------------|
T|-------------------/-|-\------------------|
A|-14-------14---12-14-|-(14)---------------|
B|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
+ | |__|
full---|
|-------------------/-|--------------------|
T|-20-------20---17-20-|-(20)---------------|
A|-|--------|----|--|\_|_/|-----------------|
B|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
|-|--------|----|--|--|--|-----------------|
+ | |__|
Rhy. Fill. 2: (clean sound w/ delay)
|-8----------------|
T|-10---------------|
A|-9----\---\---\---|
B|-|----(---(---(---|
|-|----------------|
|-|----------------|
|
Guitar Transcription: Olivier Grisvard - March 1994.