Another Lesson In Violence (live)
Transcribed by Mike Kimball, Jan 2002
[bloodmetalcontent@yahoo.com]
[geocities.com/bloodmetalcontent]
As with all guitar tablature, a mono-spaced font
(e.g. Courier or Monaco) is required to display properly...
This album is played with guitars tuned down to D (all six strings down a whole step).
Fig. 1
Fig. 2
Fig. 3
Fig. 4
[gtr. 1]
[gtr. 2]
Fig. 5 (solo backing)
[part 1 Fig. 1]
[part 2]
Fig. 6
[both]
[gtr. 1]
[gtr. 2]
End with Fig. 4 and then Fig. 1.
Visit MetalTabs.com for more metal tablatur
Transcribed by Mike Kimball, Jan 2002
[bloodmetalcontent@yahoo.com]
[geocities.com/bloodmetalcontent]
As with all guitar tablature, a mono-spaced font
(e.g. Courier or Monaco) is required to display properly...
This album is played with guitars tuned down to D (all six strings down a whole step).
Fig. 1
|-------------------|-------------------
|-------------------|-------------------
|-------------------|-------------------
|-------------------|-------------------
|--5---6---6---4-5--|--5---6---3---3----
|--3-334-443-33-----|--3-334---1-111----
Fig. 2
|-------------------|-------------------
|-------------------|-------------------
|-------------------|-------------------
|-------------------|-------------------
|--5---5-5-----5----|--5---5---3--2-----
|--3-333-3-33333-33-|--3-333-3-------4--
Fig. 3
|--------------------------------------------------------------------
|--------------------------------------------------------------------
|--------------------------------------------------------------------
|-----------------------------------------------5--------------------
|--5---6-------3-------5---3--2-----5---6-------3-------5---3--2-----
|--3-334---1-111---3-333---------4--3-334---1-11----3-333---------4--
Fig. 4
[gtr. 1]
|------------------------------------------------
|------------------------------------------------
|------------------------------------------------
|-----------------------------6--------5---------
|--3--2-----3--2-----6--5------------------------
|--------4--------4--------7---------------------
[gtr. 2]
|------------------------------------------------
|------------------------------------------------
|------------------------------------------------
|--5--4-----5--4-----8--7-----10-------9---------
|--------6--------6--------9---------------------
|------------------------------------------------
Fig. 5 (solo backing)
[part 1 Fig. 1]
[part 2]
|-----------------------------------------------------------------------
|-----------------------------------------------------------------------
|-----------------------------------------------------------------------
|----------------9-7-----------5-7-9-------------9-7-----12---11--------
|--2-------------7-5-----------3-5-7-------------7-5-----10---9-12-10--
|--0-000-000-000-----000-000-00------000-000-000-----000---------10-8--
Fig. 6
[both]
|-----------------------------------
|-----------------------------------
|-----------------------------------
|-----------------------------------
|--9-------8------------------------
|--7-------6-000-000-000-000-000-00-
[gtr. 1]
|-------------------|----------------------------------------------------------
|-------------------|----------------------------------------------------------
|-------------------|----------------------------------------------------------
|-------------------|-----------------------------4----------------------------
|--9-------8--------|-8---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2--
|--7-------6-000-00-|-6---0-0-0-0-0-0-0-0-0-0-0-0------------------------------
[gtr. 2]
|-------------------|----------------------------------------------------------
|-------------------|----------------------------------------------------------
|-------------------|----------------------------------------------------------
|-------------------|-----------------------------4----------------------------
|--5-------4--------|-4---------------------------2---2-2-2-2-2-2-2-2-2-2-2-2--
|------------000-00-|-----0-0-0-0-0-0-0-0-0-0-0-0------------------------------
End with Fig. 4 and then Fig. 1.
Visit MetalTabs.com for more metal tablatur