Capo 3
INTRO:
[Em] [G] [Em] [G]
VERSE 1:
[Em]It's a slow par[G]ade, d[Em]own a dusty r[G]oad
We've l[Am7]earnt to take a[Am6]buse, from d[Em]evils we don't k[G]now
[Em]People who have lost all h[G]eart, l[Em]ook for someone else to b[G]lame
[C]You just keep on wal[G/B]king, when they [D/A]call you a dirty [C/G]name
[C/G] ahhhh[G]h
CHORUS 1:
All the m[C]ud in this town, all the dirt in this world
None of it st[Bm]icks on you, [Em] you shake it off
'Cos you're [Fmaj7]better than that, and you d[C]on't need it,
There's nothing w[Em]rong with you[G]
[Em] [G]
VERSE 2:
The [Em]moment that we d[G]read, [Em]it comes all too soo[G]n
[Am7]Voices in your [Am6]head, still [Em]carry on the tun[G]e
[Em]Let the sound come i[G]n, f[Em]rom the world outs[G]ide
[C]You just keep on s[G/B]inging, when they [D/A]tell you filthy [C/G]lies
[C/G] ohh h[G]eyyy
CHORUS 2:
All the [C]mud in this town, all the dirt in this world
None of it st[Bm]icks on you, [Em] you shake it off
'Cos you're [Fmaj7]better than that, and you d[C]on't need it,
There's nothing w[Em]rong with you[D/F#]
BRIDGE:
Re[C]member how it made you [C/E]hurt, [D/F#]even as you fight to the o[Em]ne
[C]Turn it in to something e[G]lse, turn it in to something e[D]lse
[D] ohh he[G]yyyy
CHORUS 3:
All the [C]mud in this town, all the dirt in this world
None of it st[Bm]icks on you, [Em] you shake it off
'Cos you're [Fmaj7]better than that, and you d[C]on't need it,
No you d[D]on't believe it aaaaa[G]hh
CHORUS 4:
All the [C]mud in this town, all the dirt in this world
None of it st[Bm]icks on you, [Em] you shake it off
'Cos you're [Fmaj7]better than that, and you d[C]on't need it,
There's nothing w[G/D]rong with you[C]
There's nothing w[G]rong with you[C]
No[G][C]
do dododoot doot doot d[G]oo[C]
I walk al[G]ong with you[C]
do dododoot doot doot d[G]oo[C]
There's nothing w[G]rong with you[C]
...fade
Pay attention to the bass part, which is not played in the verses, and sometimes takes a note other than the chord root e.g C/G playing the bass G really changes the feel of it like a suspended chord. Don't forget the extra 2 bars at the end of each verse. With the Am7-6 pattern Neil might as well have signed it - classic Finn!
INTRO:
[Em] [G] [Em] [G]
VERSE 1:
[Em]It's a slow par[G]ade, d[Em]own a dusty r[G]oad
We've l[Am7]earnt to take a[Am6]buse, from d[Em]evils we don't k[G]now
[Em]People who have lost all h[G]eart, l[Em]ook for someone else to b[G]lame
[C]You just keep on wal[G/B]king, when they [D/A]call you a dirty [C/G]name
[C/G] ahhhh[G]h
CHORUS 1:
All the m[C]ud in this town, all the dirt in this world
None of it st[Bm]icks on you, [Em] you shake it off
'Cos you're [Fmaj7]better than that, and you d[C]on't need it,
There's nothing w[Em]rong with you[G]
[Em] [G]
VERSE 2:
The [Em]moment that we d[G]read, [Em]it comes all too soo[G]n
[Am7]Voices in your [Am6]head, still [Em]carry on the tun[G]e
[Em]Let the sound come i[G]n, f[Em]rom the world outs[G]ide
[C]You just keep on s[G/B]inging, when they [D/A]tell you filthy [C/G]lies
[C/G] ohh h[G]eyyy
CHORUS 2:
All the [C]mud in this town, all the dirt in this world
None of it st[Bm]icks on you, [Em] you shake it off
'Cos you're [Fmaj7]better than that, and you d[C]on't need it,
There's nothing w[Em]rong with you[D/F#]
BRIDGE:
Re[C]member how it made you [C/E]hurt, [D/F#]even as you fight to the o[Em]ne
[C]Turn it in to something e[G]lse, turn it in to something e[D]lse
[D] ohh he[G]yyyy
CHORUS 3:
All the [C]mud in this town, all the dirt in this world
None of it st[Bm]icks on you, [Em] you shake it off
'Cos you're [Fmaj7]better than that, and you d[C]on't need it,
No you d[D]on't believe it aaaaa[G]hh
CHORUS 4:
All the [C]mud in this town, all the dirt in this world
None of it st[Bm]icks on you, [Em] you shake it off
'Cos you're [Fmaj7]better than that, and you d[C]on't need it,
There's nothing w[G/D]rong with you[C]
There's nothing w[G]rong with you[C]
No[G][C]
do dododoot doot doot d[G]oo[C]
I walk al[G]ong with you[C]
do dododoot doot doot d[G]oo[C]
There's nothing w[G]rong with you[C]
...fade
Pay attention to the bass part, which is not played in the verses, and sometimes takes a note other than the chord root e.g C/G playing the bass G really changes the feel of it like a suspended chord. Don't forget the extra 2 bars at the end of each verse. With the Am7-6 pattern Neil might as well have signed it - classic Finn!
