Soulwax - Conversation Intercom (live acoustic) Transcribed by Dan Lea.
It's in an open B tuning (or whatever you want to call it) as shown. You don't
actually need to detune the low E and A strings since you don't actually play either
of them, but it'd certainly sound better if you do detune the A string (as shown) so
that if you hit it by accident it won't sound crap. This is simply a general guide...
play it how you want.
Slide Guitar:
Intro
[1] [2] [3] [4] [1] [2] [3] [4] [1][2][3][4][1][2][3][4]
The main patterns that occur are as follows:
Playing the D, G and B strings (B, F#, B) as in the intro -
[1] [2] [3] [4] [1] [2] [3] [4][1][2][3][4][1][2][3][4]
Instead of pattern 1. at the beginning of the first verse, it alternates between these two chords:
D#|- 0 (0)
B-|- 0 3
F#|- 0 0
B-|- 0 0
F#|-
E-|-
And in the second verse play these at the appropriate place:
D#|- 0 1
B-|- 0 0
F#|- 0 0
B-|- 0 0
F#|-
E-|-
Ending:
[1] [2] [3] [4] [1] [2] [3] [4] [1] [2] [3] [4] [1] [2] [3] [4]
If you have any queries about this tab or want more Soulwax (or other decent bands') tabs
then email me at danlea@ic24.net
It's in an open B tuning (or whatever you want to call it) as shown. You don't
actually need to detune the low E and A strings since you don't actually play either
of them, but it'd certainly sound better if you do detune the A string (as shown) so
that if you hit it by accident it won't sound crap. This is simply a general guide...
play it how you want.
Slide Guitar:
Intro
[1] [2] [3] [4] [1] [2] [3] [4] [1][2][3][4][1][2][3][4]
D#|- - - - - - - - |- - - - - - - - |- -(0)-(0)-(0)- |- - - - - - - - |
B-|3\- 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|- 0 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|
F#|3\- 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|- 0 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|
B-|3\- 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|- 0 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|
F#|- - - - - - - - |- - - - - - - - |- - - - - - - - |- - - - - - - - |
E-|- - - - - - - - |- - - - - - - - |- - - - - - - - |- - - - - - - - |
D#|- - - - - - - - |- - - - - - - - |- - - - - - - - |- - - - - - - - |
B-|3\- 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|- 0 0 - 0 - 0 0 |0 3\- 0/4 - 0 - |
F#|3\- 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|- 0 0 - 0 - 0 0 |0 3\- 0/4 - 0 - |
B-|3\- 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|- 0 0 - 0 - 0 0 |0 3\- 0/4 - 0 - |
F#|- - - - - - - - |- - - - - - - - |- - - - - - - - |- - - - - - - - |
E-|- - - - - - - - |- - - - - - - - |- - - - - - - - |- - - - - - - - |
The main patterns that occur are as follows:
Playing the D, G and B strings (B, F#, B) as in the intro -
[1] [2] [3] [4] [1] [2] [3] [4][1][2][3][4][1][2][3][4]
1. 3\|- 0 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|- 0 0 - 0 - 0 3 |0 0 4 0 5 0 0 3\|
/8 - - - - - 7 - |- - - - - - - - |5 - - - - - - - |10- - - 11- - - |
2. |0 - - - - - - - /4 - - - 5 - - - |- - - - - - - - |2 - - - 3 - - - |
/8 - - - - - - - |7 - - - - - - - |5 - - - - - - - |10- - - 11- - - |
Instead of pattern 1. at the beginning of the first verse, it alternates between these two chords:
D#|- 0 (0)
B-|- 0 3
F#|- 0 0
B-|- 0 0
F#|-
E-|-
And in the second verse play these at the appropriate place:
D#|- 0 1
B-|- 0 0
F#|- 0 0
B-|- 0 0
F#|-
E-|-
Ending:
[1] [2] [3] [4] [1] [2] [3] [4] [1] [2] [3] [4] [1] [2] [3] [4]
D#|- - - - |- - - - |- - - - |- - - - |
B-|0 - - 2 |- - 3 - |7 - - 8 |- - 10- |
F#|0 - - 2 |- - 3 - |7 - - 8 |- - 10- |
B-|0 - - 2 |- - 3 - |7 - - 8 |- - 10- |
F#|- - - - |- - - - |- - - - |- - - - |
E-|- - - - |- - - - |- - - - |- - - - | x2
D#(12) - - |- - - - |- - - - |- - - - |
B-|12- - 2 |- - 3 - |7 - - 8 |- - 10- |
F#|12- - 2 |- - 3 - |7 - - 8 |- - 10- |
B-|12- - 2 |- - 3 - |7 - - 8 |- - 10- |
F#|- - - - |- - - - |- - - - |- - - - |
E-|- - - - |- - - - |- - - - |- - - - |
D#|- - - - |- - - - |- - - - |- - - - /12
B-|0 - - 2 |- - 3 - |7 - - 8 |- - 10- /12
F#|0 - - 2 |- - 3 - |7 - - 8 |- - 10- /12
B-|0 - - 2 |- - 3 - |7 - - 8 |- - 10- /12
F#|- - - - |- - - - |- - - - |- - - - |
E-|- - - - |- - - - |- - - - |- - - - |
If you have any queries about this tab or want more Soulwax (or other decent bands') tabs
then email me at danlea@ic24.net
