#
#..alibi..
#by david gray
#
#standard tuning Eadgbe
#no capo
#
# C#m : C#m2: A : A2 : E : F#m : B :C#m/Bb:
#
#
#
#
#
#
#
# A : Ewlkd : Awlkd : G#m : E2 : B/E :
#
#
#
#
#
#
#
#notes:
#Ewlkd and Awlkd are both 'walkdowns' where the chord
#changes by only one string for three consecutive counts.
#rather than write out each chord name, just consider these
#'walkdowns' as three chords that change only slitely.
#note that the Awlkd is only used once, moves quickly
#(half the time of the Ewlkd), and becomes the A2 chord,
#strumming each chord once, affecting an introduction to
#the "all nite busz.." bridge.
#also, there's probably a better way to set up the E2-B/E
#part that repeats at the end so that it sounds closer to
#the piano's notes, but i like using these chords to just
#pound out the rhythm and sing along.
#
#
#.alibi.
#
[C#m]stone blind alibi[C#m2] i will eat the li[A)(A2]e
find the [E]word could [F#m]break any [B]spell that binds you
[C#m]prayers like ammonites[C#m2] curl beneath the l[A)(A2]ites
how i [E]long to[F#m] bite any [B]hand that feeds you[C#m/Bb] more
(A) (E) (F#m) (B) (C#m)
where'd it all go wrong my friday nite enfant
(A) (E) (F#m) (B) (Ewlkd) (Awlkd)(A2)
where'd it all go wrong my friday nite enfant
all nite[F#m] busz on a[G#m] line
it's only[F#m] blood on the[G#m] rime
wrecks my[F#m] head every [B]time
it leads me[C#m/Bb] on
(A) (E) (F#m) (B) (C#m)
where'd it all go wrong my friday nite enfant
(A) (E) (F#m) (B) (E2) (B/E) (E2) (B/E)
where'd it all go wrong my friday nite enfant
t[E2)(B/E]onite t[E2)(B/E]onite
t[E2)(B/E]onite, i'm running [E2)(B/E]wild, i'm running (x4)
t[E2)(B/E]onite, i'm running [E]wild
questions/comments/song requests/etc. dreamknot@hotmail.com
please visit www.geocities.com/littletabguy
#..alibi..
#by david gray
#
#standard tuning Eadgbe
#no capo
#
# C#m : C#m2: A : A2 : E : F#m : B :C#m/Bb:
#
e---x--:--x--:-(0)-:--x--:-0-:--2--:-x-:-(0)--:
#
b---5--:--5--:-(0)-:--x--:-0-:--2--:-x-:--5---:
#
g---6--:-(4)-:--6--:-(6)-:-1-:--2--:-8-:--6---:
#
d---6--:--6--:--7--:--9--:-2-:--4--:-9-:--6---:
#
a---4--:--x--:--7--:--7--:-2-:--4--:-9-:--x---:
#
E---x--:--7--:--5--:--5--:-0-:--2--:-7-:--6---:
#
# A : Ewlkd : Awlkd : G#m : E2 : B/E :
#
e---x--:---0---:---x---:--4--:-(0)-:-(0)-:
#
b---7--:---0---:---x---:--4--:-(0)-:-(0)-:
#
g---6--:---1---:-9.8.6-:--4--:--9--:--9--:
#
d---x--:-2.1.0-:---x---:--6--:--6--:--6--:
#
a---7--:---2---:---7---:--6--:--7--:--6--:
#
E---5--:---0---:---5---:--4--:--0--:--7--:
#
#notes:
#Ewlkd and Awlkd are both 'walkdowns' where the chord
#changes by only one string for three consecutive counts.
#rather than write out each chord name, just consider these
#'walkdowns' as three chords that change only slitely.
#note that the Awlkd is only used once, moves quickly
#(half the time of the Ewlkd), and becomes the A2 chord,
#strumming each chord once, affecting an introduction to
#the "all nite busz.." bridge.
#also, there's probably a better way to set up the E2-B/E
#part that repeats at the end so that it sounds closer to
#the piano's notes, but i like using these chords to just
#pound out the rhythm and sing along.
#
#
#.alibi.
#
[C#m]stone blind alibi[C#m2] i will eat the li[A)(A2]e
find the [E]word could [F#m]break any [B]spell that binds you
[C#m]prayers like ammonites[C#m2] curl beneath the l[A)(A2]ites
how i [E]long to[F#m] bite any [B]hand that feeds you[C#m/Bb] more
(A) (E) (F#m) (B) (C#m)
where'd it all go wrong my friday nite enfant
(A) (E) (F#m) (B) (Ewlkd) (Awlkd)(A2)
where'd it all go wrong my friday nite enfant
all nite[F#m] busz on a[G#m] line
it's only[F#m] blood on the[G#m] rime
wrecks my[F#m] head every [B]time
it leads me[C#m/Bb] on
(A) (E) (F#m) (B) (C#m)
where'd it all go wrong my friday nite enfant
(A) (E) (F#m) (B) (E2) (B/E) (E2) (B/E)
where'd it all go wrong my friday nite enfant
t[E2)(B/E]onite t[E2)(B/E]onite
t[E2)(B/E]onite, i'm running [E2)(B/E]wild, i'm running (x4)
t[E2)(B/E]onite, i'm running [E]wild
questions/comments/song requests/etc. dreamknot@hotmail.com
please visit www.geocities.com/littletabguy
