Hook, Line, and Sinker
Jon Brion
JB has played this live with a capo at the 7th fret
and through a leslie at variable speed. The capo is more important,
as you can play the bass counterpoint at the 7th and 9th frets
easily.
Some of the chords/voicings below are somewhat simplified but should be consistent with
the record.
Intro:
[E] [E/A] [E] [E/A]
[E] [E/A] [E] [E/A]
Verse 1:
It should be [E]boredom by [E/A]now,[E/C#][E/C#]
I know the [E/F#]tricks[E] of the [D7+#4]trade[D7+#4]
But it goes [E]on anyhow[E/A][E/C#][E/C#]
Some times the [E/F#]answer[E]s are [D7+#4]ready m[D7+#4]ade, and I
Chorus 1:
[F#m]Go for it [A/E]every time[B][B]
[F#m]Just like a [A/E]heavy [B]drinker,[B] I
[F#m]Go for it [A/E]every [B]time, hook, [B/C#]line and
[E]sin[E/A]ker[E][E/A]
[E] [E/A] [E] [E/A]
Verse 2:
He [E]descends on the [E/A]room[E/C#][E/C#]
Holier than t[E/F#]hou, [E] b[D7+#4]ut sill[D7+#4]ier
He gonna [E]knock on her [E/A]cocoon[E/C#][E/C#]
And it's gonna [E/F#]sound [E] [D7+#4]familia[D7+#4]r, and she'll
Chorus 2:
[F#m]Go for it [A/E]every [B]time[B]
[F#m]Putting h[A/E]erself in [B]peril. [B] She'll
[F#m]Go for it [A/E]every [B]time, lock, [B/C#]stock and
[E]bar[E/A]rel[E][E/A]
Bridge:
[Dm] [Dm] [Am] [Am] [Dm] [Dm] [Am]
[Am] [F] [F]
And [Eb]I'm feeling for [A]all of the world like [Ab]I'm feeling for
[Fm]all the [Am]wor[Am]ld[Am][Am]
[E] [E/A] [E] [E/A]
[E] [E/A] [E] [E/A]
Verse 3:
So go and [E]reel me in,[E/A][E/C#][E/C#]
If I am [E/F#]tuggin[E]g the [D7+#4]line[D7+#4]
The hook is [E]under my [E/A]skin,[E/C#][E/C#]
Because your [E/F#]lure [E] [D7+#4]is well[D7+#4] designed. Oh I
Chorus 2:
[F#m]Go for i[A/E]t every [B]time[B]
[F#m]Just lik[A/E]e a heavy [B]drinker,[B] and I
[F#m]Go for i[A/E]t every [B]time, h[B/C#]ook, line and
[E]sin[E/A]ker[E][E/A]
[E] [E/A] [E]
Jon Brion
JB has played this live with a capo at the 7th fret
and through a leslie at variable speed. The capo is more important,
as you can play the bass counterpoint at the 7th and 9th frets
easily.
Some of the chords/voicings below are somewhat simplified but should be consistent with
the record.
Intro:
[E] [E/A] [E] [E/A]
[E] [E/A] [E] [E/A]
Verse 1:
It should be [E]boredom by [E/A]now,[E/C#][E/C#]
I know the [E/F#]tricks[E] of the [D7+#4]trade[D7+#4]
But it goes [E]on anyhow[E/A][E/C#][E/C#]
Some times the [E/F#]answer[E]s are [D7+#4]ready m[D7+#4]ade, and I
Chorus 1:
[F#m]Go for it [A/E]every time[B][B]
[F#m]Just like a [A/E]heavy [B]drinker,[B] I
[F#m]Go for it [A/E]every [B]time, hook, [B/C#]line and
[E]sin[E/A]ker[E][E/A]
[E] [E/A] [E] [E/A]
Verse 2:
He [E]descends on the [E/A]room[E/C#][E/C#]
Holier than t[E/F#]hou, [E] b[D7+#4]ut sill[D7+#4]ier
He gonna [E]knock on her [E/A]cocoon[E/C#][E/C#]
And it's gonna [E/F#]sound [E] [D7+#4]familia[D7+#4]r, and she'll
Chorus 2:
[F#m]Go for it [A/E]every [B]time[B]
[F#m]Putting h[A/E]erself in [B]peril. [B] She'll
[F#m]Go for it [A/E]every [B]time, lock, [B/C#]stock and
[E]bar[E/A]rel[E][E/A]
Bridge:
[Dm] [Dm] [Am] [Am] [Dm] [Dm] [Am]
[Am] [F] [F]
And [Eb]I'm feeling for [A]all of the world like [Ab]I'm feeling for
[Fm]all the [Am]wor[Am]ld[Am][Am]
[E] [E/A] [E] [E/A]
[E] [E/A] [E] [E/A]
Verse 3:
So go and [E]reel me in,[E/A][E/C#][E/C#]
If I am [E/F#]tuggin[E]g the [D7+#4]line[D7+#4]
The hook is [E]under my [E/A]skin,[E/C#][E/C#]
Because your [E/F#]lure [E] [D7+#4]is well[D7+#4] designed. Oh I
Chorus 2:
[F#m]Go for i[A/E]t every [B]time[B]
[F#m]Just lik[A/E]e a heavy [B]drinker,[B] and I
[F#m]Go for i[A/E]t every [B]time, h[B/C#]ook, line and
[E]sin[E/A]ker[E][E/A]
[E] [E/A] [E]