#
## This file is the authors own work and represents their interpretation #
## of the song. You may only use this file for private study, scholarship,#
## or research. # # #
## All transcriptions on this site is the property of KISS Asylum and #
## cannot be used on any other website, ftp site or archive without #
## permission from KISS Asylum. #
#
#
#FIREHOUSE (from the KISS CD "KISS")
#
Transcribed by Emil Ortenmark, [email protected]
Tuned down 1/2-step
Comments: For some odd reason Paul and Ace share the alternating D-G chords
in the beginning but then each of them play the whole chords later on. Ace
throws in a couple of nice inversions here and there to spice things up and
packs in a few cool melodic fills as well. The solo? Ace in chicken picking
mode. But he doesn't damp the string that well letting some pick harmonics
get through.
Key:
/ slide up
\ slide down
b bend (whole step)
b^ bend (1/2 step)
b^^ bend (1 1/2 steps)
pb pre-bend
r release-bend
t tap with righthand finger
h hammer-on
p pull-off
~ Vibrato
Natural Harmonic
#(#) Trill
Artificial Harmonic
x Dead notes (no pitch)
P.M. Palm mute (- -> underneath indicates which notes)
(\) Dive w\bar
(/) Release w\bar
Tp Tap w\plectrum
Rhythm Fig. 1
Rhythm Fig. 2
Rhythm Fig. 3a
Rhythm Fig. 3b
Rhythm Fig. 3c
Rhythm Fig. 4a
Rhythm Fig. 4b
Rhythm Fig. 4c
1/4-step bends
Rhythm Fig. 4d
Rhythm Fig. 5
Rhythm Fig. 6
Rhythm Fig. 7
Rhythm Fig. 8a
Rhythm Fig. 8b
Riff 1
Vib. by releasing bend a half-step then bending up again
Riff 2
Riff 3
Riff 4
Riff 5
Riff 6
Solo
Gradually release bend - - >
P.M.
Gradually release bend
FIREHOUSE
Paul Stanley
[Rhy. Fig 1 w/ Riff 1]
Whoo, hoo, yeah
[Rhy. Fig 3a w/ Rhy. Fig 3b]
Whoo, hoo, yeah
[Rhy. Fig 3a w/ Rhy. Fig 3c]
[Rhy. Fig 4a]
She'll adore you and she'll floor you
With her wisdom and her vision
[Rhy. Fig 4b]
And you'll love it and think of it
Till you lose all intuition
Come on
[Rhy. Fig 5 w/ Riff 2]
[Rhy. Fig 4c w/ Rhy. Fig 4d] (2x)
She can move you and improve you
With her love and her devotion
And she'll thrill you and she'll chill you
But you're headed for commotion
[Rhy. Fig 4a w/ Rhy. Fig 4d]
And you'll need her so you'll feed her
With your endless dedication
[Rhy. Fig 4c w/ Rhy. Fig 4d]
And the quicker you get sicker
She'll remove your medication
[Rhy. Fig 5 w/ Riff 3]
[Rhy. Fig 2] (2x)
Get the firehouse
'Cause she sets my soul afire
Get the firehouse
And the flames keep gettin' higher
[Rhy. Fig 6 w/ Riff 4]
She's like bad weather but it seems so good
You'd never leave her but you know you should
[Solo over Rhy. Fig 2 (2x]
[Rhy. Fig 6 w/ Riff 4 and Riff 5]
She's like bad weather but it seems so good
You'd never leave her but you know you should
[Rhy. Fig 7 w/ Riff 6]
Ooh
[Rhy. Fig 2]
Get the firehouse
'Cause she sets my soul afire
[Rhy. Fig 8a w/ Rhy. Fig 8b]
Get the firehouse
Whoo, hoo, yeah
Get the firehouse
Whoo, hoo, yeah
#-----------------------------PLEASE NOTE--------------------------------#
## This file is the authors own work and represents their interpretation #
## of the song. You may only use this file for private study, scholarship,#
## or research. # # #
## All transcriptions on this site is the property of KISS Asylum and #
## cannot be used on any other website, ftp site or archive without #
## permission from KISS Asylum. #
#
#------------------------------------------------------------------------#
#
#FIREHOUSE (from the KISS CD "KISS")
#
--------------------
Transcribed by Emil Ortenmark, [email protected]
Tuned down 1/2-step
Comments: For some odd reason Paul and Ace share the alternating D-G chords
in the beginning but then each of them play the whole chords later on. Ace
throws in a couple of nice inversions here and there to spice things up and
packs in a few cool melodic fills as well. The solo? Ace in chicken picking
mode. But he doesn't damp the string that well letting some pick harmonics
get through.
Key:
/ slide up
\ slide down
b bend (whole step)
b^ bend (1/2 step)
b^^ bend (1 1/2 steps)
pb pre-bend
r release-bend
t tap with righthand finger
h hammer-on
p pull-off
~ Vibrato
Natural Harmonic
#(#) Trill
Artificial Harmonic
x Dead notes (no pitch)
P.M. Palm mute (- -> underneath indicates which notes)
(\) Dive w\bar
(/) Release w\bar
Tp Tap w\plectrum
Rhythm Fig. 1
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--2----2----4----2----2----2--2--------7------|
Db|--2----4----6----4----2----4--2--------7------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--7--7--7--7--7--7----9----9--9--9--9--9--9---|
Db|--9--7--9--7--9--7----7----7--7--7--7--7--7---|
Ab|----------------------0----0--0--0--0--0--0---|
Eb|----------------------------------------------|
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--2-----2----4-----2-----2-----2--2--------7--|
Db|--2-----4----6-----4-----2-----4--2---2----7--|
Ab|--0--0-----0----0-----0--0--0-----0---0-------|
Eb|----------------------------------------------|
Eb|----------------------------------------------|
Bb|----------------------2-----------------------|
Gb|--7--7--7--7--7--7----2-----------------------|
Db|--9--7--9--7--9--7----2-----------------------|
Ab|----------------------0-----------------------|
Eb|----------------------------------------------|
Rhythm Fig. 2
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|----------------------------------------------|
Db|----------------------------------------------|
Ab|--0--------------------0----------------------|
Eb|---------3----0--3--0---------3----0--3--0----|
Eb|----------------------------------------------|
Bb|--8--7--8--7--8--7-----2----------------------|
Gb|--7--7--7--7--7--7-----2----------------------|
Db|--9--7--9--7--9--7-----2----------------------|
Ab|--------------------0--0----------------------|
Eb|----------------------------------------------|
Rhythm Fig. 3a
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|----------------------------------------------|
Db|----------------------------------------------|
Ab|--0--------------------0----------------------|
Eb|---------3----0--3--0---------3----0--3--0----|
Eb|----------------------------------------------|
Bb|-----------------------2----------------------|
Gb|--7--7--7--7--7--7-----2----------------------|
Db|--9--7--9--7--9--7-----2----------------------|
Ab|--------------------0--0----------------------|
Eb|----------------------------------------------|
Rhythm Fig. 3b
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|----------------------------------------------|
Db|----------------------------------------------|
Ab|--0--------------------0----------------------|
Eb|---------3----0--3--0---------3----0--3--0----|
Eb|----------------------------------------------|
Bb|--8--7--8--7--8--7-----2----------------------|
Gb|--7--7--7--7--7--7-----2----------------------|
Db|-----------------------2----------------------|
Ab|--------------------0--0----------------------|
Eb|----------------------------------------------|
Rhythm Fig. 3c
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|----------------------------------------------|
Db|----------------------------------------------|
Ab|--0--------------------0----------------------|
Eb|---------3----0--3--0---------3----0--3--0----|
Eb|----------------------------------------------|
Bb|--8--7--8--7--8--7-----5----------------------|
Gb|--7--7--7--7--7--7-----6----------------------|
Db|-----------------------7----------------------|
Ab|--------------------0--0----------------------|
Eb|----------------------------------------------|
Rhythm Fig. 4a
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--2----x--------------2----x------------------|
Db|--2----x--------------2----x------------------|
Ab|--0----x--------------0----x------------------|
Eb|----------------------------------------------|
Eb|----------------------------------------------|
Bb|--8--7--8--7--8--7----2-----------------------|
Gb|--7--7--7--7--7--7----2-----------------------|
Db|--9--7--9--7--9--7----2-----------------------|
Ab|----------------------0-----------------------|
Eb|----------------------------------------------|
Rhythm Fig. 4b
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--2----x--------------2----x------------------|
Db|--2----x--------------2----x------------------|
Ab|--0----x--------------0----x------------------|
Eb|----------------------------------------------|
Eb|----------------------------------------------|
Bb|--8--7--8--7--8--7-----2----------------------|
Gb|--7--7--7--7--7--7-----2----------------------|
Db|--9--7--9--7--9--7-----2----------------------|
Ab|--------------------0--0----------------------|
Eb|----------------------------------------------|
Rhythm Fig. 4c
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--2----x--------------2-----------------------|
Db|--2----x--------------2-----------------------|
Ab|--0----x--------------0----3b---3b-0----------|
Eb|--------------------------------------3--0----|
1/4-step bends
Eb|----------------------------------------------|
Bb|--8--7--8--7--8--7-----2----------------------|
Gb|--7--7--7--7--7--7-----2----------------------|
Db|--9--7--9--7--9--7-----2----------------------|
Ab|--------------------0--0----------------------|
Eb|----------------------------------------------|
Rhythm Fig. 4d
Eb|----------------------------------------------|
Bb|--10----x--------------10----x----------------|
Gb|--9-----x--------------9-----x----------------|
Db|--11----x--------------11----x----------------|
Ab|--0--------------------0----------------------|
Eb|----------------------------------------------|
Eb|----------------------------------------------|
Bb|--8--7--8--7--8--7-----2----------------------|
Gb|--7--7--7--7--7--7-----2----------------------|
Db|--9--7--9--7--9--7-----2----------------------|
Ab|--------------------0--0----------------------|
Eb|----------------------------------------------|
Rhythm Fig. 5
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--5------------------3--------4--4------------|
Db|--5--------5---------3--------4--4--2---------|
Ab|--3--------5---------1--------2--2--2---------|
Eb|-----------3------------------------0---------|
Rhythm Fig. 6
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--4------4--4---------------------------------|
Db|--4------4--4---------2------2--2-------------|
Ab|--2------2--2---------2------2--2-------------|
Eb|----------------------0------0--0-------------|
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|----------------------------------------------|
Db|--3------3--3---------5--5----5---------------|
Ab|--3------3--3---------5--5----5---------------|
Eb|--1------1--1---------3--3----3---------------|
Rhythm Fig. 7
Eb|----------------------------------------------|
Bb|-------------------------------------------7--|
Gb|--2-----2----4-----2-----2-----2--2--------7--|
Db|--2-----4----6-----4-----2-----4--2---2----7--|
Ab|--0--0-----0----0-----0--0--0-----0---0-------|
Eb|----------------------------------------------|
Eb|----------------------------------------------|
Bb|--8--7--8--7--8--7----------------------------|
Gb|--7--7--7--7--7--7----9----7\-5----------5----|
Db|--9--7--9--7--9--7----9----7\-5----5-----5----|
Ab|-----------------------------------5h-7-------|
Eb|----------------------------------------------|
Rhythm Fig. 8a
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|----------------------------------------------|
Db|----------------------------------------------|
Ab|--0--------------------0----------------------|
Eb|---------3----0--3--0-------------------------|
Eb|----------------------------------------------|
Bb|--8----7----8---------------------------------|
Gb|--7----7----7-------2-----2-------------------|
Db|--9----7----9-------2h4---2-------------------|
Ab|-----------------0-----------0----------------|
Eb|----------------------------------------------|
Rhythm Fig. 8b
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|----------------------------------------------|
Db|----------------------------------------------|
Ab|--0--------------------0----------------------|
Eb|---------3----0--3--0-------------------------|
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|-----------------------------2----------------|
Db|-/5----4----2-------2h4---2--2----------------|
Ab|-----------------0-----------0----------------|
Eb|----------------------------------------------|
Riff 1
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--7b~-------------------7b~-------------------|
Db|----------------------------------------------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
Vib. by releasing bend a half-step then bending up again
Riff 2
Eb|--8--------8----------------------------------|
Bb|--11b~-----11b--r11p8-----8-------8-----------|
Gb|----------------------10--10b~----10b--r10p8--|
Db|----------------------------------------------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
Eb|-----------6-------8-----9------7--7----------|
Bb|--------------------------------7--7----------|
Gb|--------/7-----7/8----/9---9----8--8--9-------|
Db|--10----------------------------------9-------|
Ab|--------------------------------------7-------|
Eb|----------------------------------------------|
Riff 3
Eb|--8--------8----------------------------------|
Bb|--11b~-----11b--r11p8-----8-------8-----------|
Gb|----------------------10--10b~----10b--r10p8--|
Db|----------------------------------------------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
Eb|-----------6-----4-----3----------------------|
Bb|----------------------------------------------|
Gb|--------/7-----5-----3----1-------------------|
Db|--10------------------------------------------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
Riff 4
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--9b--r9-7--------11b--r11-9------12b--r12-10-|
Db|-----------9~----------------9~---------------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
Eb|----------------------------------------------|
Bb|---------------------13b~---------------------|
Gb|---------14b--r14-12--------------------------|
Db|--10~-----------------------------------------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
Riff 5
Eb|----------------------------------------------|
Bb|--8--7----------------------------------------|
Gb|--------5--4~---------------------------------|
Db|----------------------------------------------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
Riff 6
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--7b----7--5----------------------------------|
Db|---------------------5------------------------|
Ab|----------------5h-7--------------------------|
Eb|----------------------------------------------|
Solo
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|--pb7---x-7--x-7--x-7--x-7--x-7--x-7---5--5---|
Db|----------------------------------------------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
Gradually release bend - - >
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|---------------x-2--x-4-4b^--4p2---2~---------|
Db|--7~-----------------------------4------------|
Ab|---------/3-----------------------------------|
Eb|----------------------------------------------|
P.M.
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|----------------------------------------------|
Db|--x-2--------------------------5-5-x-5-x-5h7--|
Ab|---------x-x-5---x-3~-----5h7-----------------|
Eb|----------------------------------------------|
Eb|----------------------------------------------|
Bb|----------------------------------------------|
Gb|------------------------pb7--x-7--x-7--x-7----|
Db|--5--5--5--x-5-x-5h7--------------------------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
Gradually release bend
Eb|----------------------------------------------|
Bb|--8b----------r8------------------------------|
Gb|----------------------------------------------|
Db|----------------------------------------------|
Ab|----------------------------------------------|
Eb|----------------------------------------------|
FIREHOUSE
Paul Stanley
[Rhy. Fig 1 w/ Riff 1]
Whoo, hoo, yeah
[Rhy. Fig 3a w/ Rhy. Fig 3b]
Whoo, hoo, yeah
[Rhy. Fig 3a w/ Rhy. Fig 3c]
[Rhy. Fig 4a]
She'll adore you and she'll floor you
With her wisdom and her vision
[Rhy. Fig 4b]
And you'll love it and think of it
Till you lose all intuition
Come on
[Rhy. Fig 5 w/ Riff 2]
[Rhy. Fig 4c w/ Rhy. Fig 4d] (2x)
She can move you and improve you
With her love and her devotion
And she'll thrill you and she'll chill you
But you're headed for commotion
[Rhy. Fig 4a w/ Rhy. Fig 4d]
And you'll need her so you'll feed her
With your endless dedication
[Rhy. Fig 4c w/ Rhy. Fig 4d]
And the quicker you get sicker
She'll remove your medication
[Rhy. Fig 5 w/ Riff 3]
[Rhy. Fig 2] (2x)
Get the firehouse
'Cause she sets my soul afire
Get the firehouse
And the flames keep gettin' higher
[Rhy. Fig 6 w/ Riff 4]
She's like bad weather but it seems so good
You'd never leave her but you know you should
[Solo over Rhy. Fig 2 (2x]
[Rhy. Fig 6 w/ Riff 4 and Riff 5]
She's like bad weather but it seems so good
You'd never leave her but you know you should
[Rhy. Fig 7 w/ Riff 6]
Ooh
[Rhy. Fig 2]
Get the firehouse
'Cause she sets my soul afire
[Rhy. Fig 8a w/ Rhy. Fig 8b]
Get the firehouse
Whoo, hoo, yeah
Get the firehouse
Whoo, hoo, yeah
