Chord/Tab song: Anji

Chord,Tablature, lyric, sheet, guitar, ukulele song: Anji - ( # #From: [email protected] (Robert Minato) # #Anji (D...)

9 years ago969Other Songs Carpenters,SIMON & GARFUNKEL

Chords & Lyrics AZSweet QuotesCook & FoodWallpapers HD
--
#
#From: [email protected] (Robert Minato)
#
#Anji (Davey Graham; Arr Paul Simon)
#
#PART A (4/4)
#

-------------------------------------------------------------------------|

#

---------0h1p0---0---------------|-0-------0-----------------------------|

#

-----2---------2-------------2---|-----2---------------------------------|

#

---------------------------------|---------------------2-----------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0-------0-------------|

#
#

-------------------------------------------------------------------------|

#

---------0h1p0---0---------------|-0h1p0---0-----------------------------|

#

-----2---------2-------------2---|-------2---------------------2---------|

#

---------------------------------|---------------------2-----------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0-------0-------------|

#
#

---------------------0------------------------------(--0-----------------|

#

---------0h1p0---0---------------|-1-------1---0-----)-0-----------------|

#

-----2---------2-------------2---|-----2------------(--2-----------------|

#

---------------------------------|-------------------)-2-----------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0---------------------|

#
#

-------------------------------------------------------------------------|

#

---------0h1p0---0---------------|-0h1p0---0-----------------------------|

#

-----2---------2-------------2---|-------2-------------------------------|

#

---------------------------------|---------------------------------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0-------0-------------|

#
#

-------------------------------------------------------------------------|

#

---------0h1p0---0---------------|-0h1p0---0-----------------------------|

#

-----2---------2-------------2---|-------2-------------------------------|

#

---------------------------------|---------------------------------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0-------0-------------|

#
#

---------------------0------------------------------(--0-----------------|

#

---------0h1p0---0---------------|-1-------1---0-----)-0-----------------|

#

-----2---------2-------------2---|-----2------------(--2-----------------|

#

---------------------------------|-------------------)-2-----------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0---------------------|

#
#

---------------------0-------------------------------(-0-----------------|

#

---------0h1p0---0---------------|-1-------1---0----)--0-----------------|

#

-----2---------2-------------2---|-----2-------------(-2-----------------|

#

---------------------------------|------------------)--2-----------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0---------------------|

#
#

----------------------------------------------------(--0-----------------|

#

---------1-------1---1-----------|-1-------1---0-----)-0-----------------|

#

-----2-------2---------------2---|-----2------------(--2-----------------|

#

---------------------------------|-------------------)-2-----------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0---------------------|

#
#

----------------------------------------------------(--0-----------------|

#

---------1-------1---1-----------|-1-------1---0-----)-0-----------------|

#

-----2-------2---------------2---|-----2------------(--2-----------------|

#

---------------------------------|-------------------)-2-----------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0---------------------|

#
#

-------------------------0-----------------------------------------------|

#

-----------------1-------1-------|---------0h1p0---1---------------------|

#

-----2-------------------2-------|-----2---------2-----------------------|

#

-------------------------2-------|---------------------------------------|

#

-0-------0-------0---------------|-0-------0-------0-------0-------------|

#

-------------------------------------------------------------------------|

#
#

-----------------------------------------------------------0-------------|

#

---------1---3~------1-----------|-------------------------1-------------|

#

-----2-------------------2-------|---------1-------2-------2---2---------|

#

-----------------------------0---|-----2-------------------2-------------|

#

-0-------0-------0-------0-------|---------2-------0---------------------|

#

-----------------------------------0-------------------------------------|

#
#

-------------------------------------------------------------------------|

#

---------0h1p0---0---------------|-0h1p0---0-----------------------------|

#

-----2---------2-------------2---|-------2-------------------------------|

#

---------------------------------|---------------------------------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0-------0-------------|

#
#

-------------------------------------------------------------------------|

#

---------0h1p0---0---------------|-0h1p0---0-----------------------------|

#

-----2---------2-------------2---|-------2-------------------------------|

#

---------------------------------|---------------------2-----------------|

#

-0-------0-----------------------|---------------------------------------|

#

-----------------3-------3---------1-------1-------0-------0-------------|

#
#PART B (4/4)
#

-------------------------------------------------------------------------|

#

---------3~------3---1-----------|-3~------3~------3---1-----------------|

#

-----2-------------------2-------|-------------------------2-------------|

#

---------------------------------|---------------------------------------|

#

-0-------0-------0-------0-------|-0-------0-------0-------0-------------|

#

-------------------------------------------------------------------------|

#
#

-------------------------------------------------------------------------|

#

---------3~------3---1-----------|---------------------------------------|

#

-----2-------------------2---0---|---------0-------2-------2-------------|

#

---------------------------------|-2-----------------------2-------------|

#

-0-------0-------0-------0-------|-----------------0-------0-------------|

#

-----------------------------------0-------0-----------------------------|

#
#

-------------------------------------------------------------------------|

#

---------3~------3---1-----------|-3~------3~------3---1-----------------|

#

-----2-------------------2-------|-------------------------0-h-2---------|

#

---------------------------------|-------------------------0-h-2---------|

#

-0-------0-------0-------0-------|-0-------0-------0-------0-------------|

#

-------------------------------------------------------------------------|

[2/4]

---------------------------------------------------|
---------3~------3---1-----------|-----------------|
-----2-------------------2---0---|---------0-------|
---------------------------------|-2---------------|
-0-------0-------0-------0-------|-----------------|
-----------------------------------0-------0-------|

Play 4 measures of Part A into Part C1.
PART C1
[1/4] [3/4] [4/4]

-------------------------------------------------------------------------|
-----1---p-0---1-p-0---------------|-----------------------------1---p---|
---------|-----------------2-------|-1-------------------------------|---|
-----2---p-0---2-p-0---------------|-----------------------------2---p---|
---------|-----------------3-------|-2---------------2---------------|---|
-0-------------------------------------------0---------------0-----------|

[3/4] [4/4]

--------------------------------------------------------------|
p-0---1-p-0---------------|-----------------------------------|
|-----------------2-------|-1---------------------------------|
p-0---2-p-0---------------|-----------------------------------|
|-----------------3-------|-2---------------2-----------------|
------------------------------------0---------------0---------|

[3/4] [4/4]

-------------------------------------------------------------|
s3---3---1---0-----------|-----------------------------1---p-|
---------------------2---|-1--------------------------------|
s3---3---2---0-----------|-----------------------------2---p-|
---------------------3---|-2---------------2----------------|
-----------------------------------0---------------0---------|

[3/4] [4/4]

--------------------------------------------------------------|
p-0---1-p-0---------------|-----1-p-0---1-p-0-----------------|
|-----------------2-------|-1-----------------------2---------|
p-0---2-p-0---------------|-----2-p-0---2-p-0-----------------|
|-----------------3-------|-2-----------------------3---------|
--------------------------------------------------------------|

[5/4]

-------------------------------------------|
-------------------------------------------|
-1---------------------------0-------2-----|
-------------2-----------------------------|
-2---0-------------------------------------|
-----------------3-------1-------0---------|

Play 4 bars of A into D
PART D "The Work Song" (4/4)

---------0-X-------------------------------------------------------------|
---------1-X---------------------|---------------------------------------|
---------2-X---------------------|---------------------0-----h-2---------|
---------2-X---------0-----h-22-------2-p-0---2---------------------|
-0-----------0-h-3---------------|---------------------------------------|
-------------------------------------------------------------------------|
-0-X---------------------------------------------------------------------|
-1-X-----------------------------|---------------------------------------|
-2-X-----------------------------|---------------------------------------|
-2-X-----------------0-----h-2---|---------------------------------------|
-0-X---------0-h-3---------------|-0-------0---------------0-------------|
-----------------------------------------------3---0-h-3-----------------|
-0-X---------------------------------------------------------------------|
-1-X-----------------------------|---------------------------------------|
-2-X-----------------------------|---------------------0-----h-2---------|
-2-X-----------------0-----h-22-------2-p-0---2---------------------|
-0-X---------0-h-3---------------|---------------------------------------|
-------------------------------------------------------------------------|
-0-X---------------------------------------------------------------------|
-1-X-----------------------------|---------------------------------------|
-2-X-------------1-----------11-------------------------------------|
-2-X-----2---------------2-------|-----2-------0-h-2-p-0---2-p-0---------|
-0-X-----------------------------|---------------------------------------|
-------------------------------------------------------------------------|
-0-X---------------------------------------------------------------------|
-1-X-----------------------------|---------------------------------------|
-2-X-2-------0-------0-----------|---------------------------------------|
-2-X---------------------2-------|-0---0-----------0-h-2---2-------------|
-0-X-------------------------3---|-------------3---------------0-----|
-------------------------------------------------------------------------|
-----0-------------------------------------------------------------------|
---------------------------------|---------------------------------------|
---------------------------------|---------------------------------------|
---------------------0-----h-2---|-----------------------------1-----|
0-----------0-h-3---------------|-0-------0-------0---------------------|
-----------------------------------------------3-------3---0-------------|
-------------------------------------------------------------------------|
---------------------------------|---------------------------------------|
---------------------------------|-----0---------------0-----------------|
1-h-2-------1-----h-2-------33-p-2-------3-----p-2-------2-----|
---------------------------------|---------------------------------------|
---------0---------------0-----------------0---------------0-------------|
---------------------------------|
---------------------------------|
-----------------------------2---|
2-h3-p2-p0-h1---0-------0-------|
---------------------3---0-------|
---------------------------------|

Play Part A ad lib for several measures
Then repeat Part C2
PART C2 (4/4)

----------5-p-3-------1-------0-----------------------------------------------|
----|-----------------------------33---3-s-1-------0---------------------|
--2-s-5---5-p-4-------2-------0-------|---------------------2-------1-----|
----|-----------------------------44---4-s-2-------0---------------------|
----|---------------------------------|---------------------3-------2-----|
------------------------------------------------------------------------------|
-------------------------------------------------------------------------|
---------0-h-1---0---------------|---------------------------------------|
1---2---------------2-----------|-1-s-2---1-------1---1-----------------|
---------0-h-2---0---------------|---------------------------------------|
2---3---------------3-----------|-2-s-3---2-------2---------------------|
-----------------------------------------------------------0-------------|

Repeat Part A ad lib to ending
ENDING ritardando ...

-5-p3-p0-------------------------------------------------------------0---|
---------3-----------------------|---------------------------------|-1---|
-----------------5-s-2-----------|---------------------------------|-2---|
---------------------------------|-0-h2-p0-------------------------|-2---|
---------------------------------|---------3---------------0-------|-0---|
---------------------------------------------------0-h-3-----------------|

NOTES AND COMMENTS
Bert Jansch is probably best known as a member of Pentangle, the legendary
British acoustic folk-blues-jazz group. He and John Renbourn (the other
guitar in Pentangle) developed picking styles so complex that they became
known as "folk baroque". Angie appears on Bert's first solo album, which
was originally released on Transatlantic records. I have the American
release, on Vanguard VSD-79212, called "Lucky Thirteen".
Bert was highly influential in the early British folk scene. Donovan Leitch
was so in awe of him that there are songs called "Bert's Blues" and "House
of Jansch" on early Donovan albums. It is not clear whether Paul Simon
learned Angie from Bert or from Dave Graham, although it is known that
Simon was in England after the recording of Simon and Garfunkel's first
album (and before the electrification of "The Sounds Of Silence").
Some differences in Simon's version: I believe Paul uses three-note chords
in Part C1 rather than two-note ones. Something like:
PART C1 (Paul Simon style)
[1/4] [3/4] [4/4]

-------------------------------------------------------------------------|
-----1---p-0---1-p-0---------------|-----------------------------1---p---|
-----2---p-0---2-p-0-------2-------|-1---------------------------2---|---|
-----2---p-0---2-p-0-------2-------|-2---------------------------2---p---|
---------|-----------------3-------|-2---------------2---------------|---|
-0-------------------------------------------0---------------0-----------|

and so forth. Also, his picking on the B string in Part A seems less
intricate and more fluid, e.g. the first measure goes something like:
PART A (4/4)

---------------------------------|
---------0-h1----0---------------|
-----2---------2-------------2---|
---------------------------------|
-0-------0-----------------------|
-----------------3-------3-------|

As far as Part D goes, it is not widely known that this is actually a quote
from another song, called The Work Song. I have this on GNP-Crescendo #86,
"There's A Meetin' Here Tonight" by Joe & Eddie. The first verse and chorus
lyrics are:
Breakin' up big rocks on the chain gang,
Breakin' rocks and soothin' my time.
Breakin' up big rocks on the chain gang,
Oh Lord I committed a crime.
Hold it steady right there while I hit it
I reckon that ought to get it.
Been workin', I been workin',
And I still got so terrible long to go.
I highly recommend digging out this obscure gem and listening to it for
a deeper understanding of the possibilities inherent in Part D. It's
attributed to Nate Adderly & Oscar Brown Jr., so really Angie ought to have
their names on it as well.
I've always been fond of Angie because it was the first song I learned to
play on the guitar. Yeah, I know. I was too young and stupid to know any
better ... :-)
Oh yes, if you have big hands, it's possible to fret the bass string with your
thumb (wrapped around the neck). Personally, I only do this for the F.
Anji (another PS arrangement?)
~ hammer or pull-off, as appropriate
^ bend
# hit-and-mute sort of chord strum

------------------------------------------|
--------0~1~0~-~0-------0~1~0~-------0----|
------2-------2------0--------2--0~1------|
--------2---------------------------------|
---0--------------------------------------|
----------------3--3----1-----1--0---0----|

This is the basic riff; sometimes he throws in an E off the open high string.
Some of the variations he does are:

----------------------------0--------0-------------------|
------3^-3^-1------3^-3^-3------------------1~3~0~--0#---|
----2-----------2--------------2---2------2-------1-1#---|
------2-------2-------2------2-------2------------2-2#---|
--0------0---------0-----0-------0------0---------2-2#---|
----------------------------------------------------0#---|
----------------0-------------------------0----0-------------------|
--1-1---1-0------------1~3~1-0---0--------0------3~1~0-------------|
------------2---0--------------2---2-1----1----0-------2-1---------|
--2-2---2-0------------2~4~2-0---0--------2------3~2~0-------------|
--0---------3--------0---------3---3-2-----------------3-2---0-----|
--------------0------------------------0-------------------0---3-2-|
-----------------------------------------------|
--1#------------------------1#-----------------|
--2#-------------------0----2#-----------------|
--2#---------0-2-2~0~2------2#-----------------|
--0#--0--0~3-------------0--0#--0~2~3~2~0~-~0--|
------------------------------------------3----|
-------------------------------------------------3-1-0----------------------|
--------1#---------------------------------------------3-1-0----------------|
--------2#-------------0-1---2----4--2-----------------------2-1-0-----1-0--|
--------2#---0-2-2~0~2---------------------------------------------2-4------|
--------0#-3-------------2---3----5--3-----------------------------------0--|
---3^-0------------------0-0---0---0--0----------0--------------------------|

^^^^^^^^^^^^^^^
(repeat once or twice, adding high open E's perhaps)

-~8--7~5---0-------------------------------------------|
--------------3-1-0--------------0--1--0-------0--1-0--|
-~9--7~5---0--------2----0---1~2-----------1~2---------|
--------------3-2-0--------------0--2--0-------0--2-0--|
--0-----------------3----0---2~3-----------1~2---------|
-------------------------------------------------------|

Chords List

Chords & Lyrics AZSweet QuotesCook & FoodWallpapers HD
Chord: Anji - tab, song lyric, sheet, guitar, ukulele
Maybe you like
Violets Of Dawn
6 years ago687’Bout Changes and Things Take 2 (1967) Eric Andersen
# # #-----------------------------PLEASE NOTE-------------------------------------# ##This OLGA file is the author's own work and represents their interpretation # ##of the song. You may only use this file for private study, scholarship, or # ##research. Remember to view this file in Courier, or other monospaced font. # ##See...
Work Hard, Play Harder
5 years ago860I Got Your Country Right Here (2010) Gretchen Wilson
Tabbed by John Shaw ([email protected]) Artist:Gretchen Wilson Intro 1st Guitar 2nd Guitar Bass In I'm working [D5]double shift on Monday, Tuesday I get up before dawn Wednesday pourin' coffee, Thursday night I'm tendin' the bar Well when [B5]Friday finally rolls a[C5]round I call [B5]up my rowdy friends and we're [G5]honky tonk...
Exercise
5 years ago804Your Favorite Music (2000) Clem Snide
Song: Exercise Album: Your Favorite Music Tabbed by: Don Tago Email: [email protected] Standard Tuning Chords used: EADGBe Am:002210 C: 032010 D: 000232 F: 133211 G: 320033 Intro riff: [C] [G] [Am] [G]...
Chú Chim Alouette
5 years ago1409 Fox
[F]Alouette dễ [C]thương hãy đến với [F]ta nào [F]Alouette đến [C]đây cùng ta hát [F]ca [F]Alouette dễ [C]thương hãy đến với [F]ta nào [F]Alouette đến [C]đây cùng ta hát [F]ca [F]Nào mình cùng cười vui nghe chim [C]Chim líu lo đón [F]ánh mặt trời [C]Dang đôi tay dang đôi tay Chim chim ơi chim chim ơi [Bb]Ô Ô [C]Ô Ô [F]Alouette dễ [C]thương hãy đến...
Rape Camp
5 years ago586 Lord Gore
RAPE CAMP - Lord Gore Tabbed by: genocidedelight Email:[email protected] Tuning: Drop B Fig. 1A (bass intro) Fig. 1B (same thing but with power chords) The open chords are occasionally palm muted. Fig. 2 Fig. 1B Fig. 2 Fig. 3 Fig. 3B again, some chords are occasionally palm muted. Fig. 3B (under first...
Promise Me
8 years ago3892 BoléroOther Songs Beverly Craven,Beverley Craven
[Bm]You light up [A]another cigarette And I [F#m]pour the wine[G] [Bm]It's four o'clock in the [A]morning And it's [F#m]starting to get [G]light [Bm]Now I'm right where I [A]want to be [F#m]Losing track of [G]time But I [Em]wish that it was [F#]still last [Bm]night. [Bm] [G] [F#] [Bm].....You look like you're in [A]another world But I [F#m]can...
Bimbo
9 years ago944Raga Rockers (2000) Raga Rockers
[E]Døde helter[F] pose[D]rer [E]Dop og sex f[F]lorer[D]er [E]I en lukket[F] verden[D] [E]Hvor taushe[F]t tale[D]r [E]Og mor og far[F] beta[D]ler [E] [D] [C] [H] [A]Unge vakre bimbo [E] [D] [C] [H] [A]Der er i limbo nå [E]Dansegulvet [F]dirre[D]r [E]Zombie ø[F]yne s[D]tirrer [E]Sorte penger [F]Hvite s[D]treker [E]Rike barn so[F]m...
Fog
5 years ago662Untitled (2005) Wintersleep
tuned down a whole step - G G Bm D tuned normally - F F Am C it is the same chord progresion throughout the entire song. this is a basic idea, it ain't hard...have fun! [F]These broken [Am]arms won't hold [C]you down [F]These ruptured [Am]lungs won't make [C]a sound [F]These syllable[Am]s won't bring [C]you back, [F]Won't stitch the...
Demons Sing Love Songs
5 years ago752Leaves Turn Inside You (2001) Unwound
INTRO/VERSE/CHORUS I: Guitar...
Reunion
5 years ago1673This House Is Not for Sale (2016) Bon Jovi
[Intro] [F#] [F#/B] e|------6-----------6-------|------6-----------6-------| B|---------7-----------7----|---------7-----------7----| G|-----------6-----------6--|-----------6-----------6--| D|--4-----------4-----------|--4-----------9-----------|...
Chords & Lyrics - chordsaz.com

Chords & Lyrics AZSweet QuotesCook & FoodWallpapers HD
Guitar/Ukulele Chords