-> "ALL BLUES" INTRO (and Vamp between each 12-Bar "Verse")--
[(G7)]
1 & & 2 & &
->VERSE (12-Bar Blues)--
@ Measures 1-4::
G7 G13/11 G9 G13/11 [4x]
1 & & 2 & &
@ Measures 5-6::
C13/11 C C13/11 CM7[] C13/11 C C13/11 C
1 & & 2 & & 1 & & 2 & &
(i.e., same as G7 measure, without the major 3rd)]
[sic: whole "C" chordal series better considered as Gm-type chords...]
@ Measures 7-8 (G7...): a` la measures 1-4, but only 2ce thru...
@ Measures 9-10::
[D7#9] [Eb7#9] [D7#9]
1 & & 2 & & 1 & & 2 & &
@ Measures 11-12::
G7/11 GM6/9[G13] G7/11 G7/6[]
1 & & 2 & & 1 & & 2 & &
[ or: 3-345-]
->Miles' "head"-ish LEAD over the twelve-bar pretty easy to follow on
the guitar, especially if yu' start at the VIIth position, e.g.--
[(G7)]
& 1 & & 2 & & 1 & & 2
--but then, this is JAZZ, 'n'you're supPOSED to improvize yourself! . . .
(but a final note: if you're playin' as "slow & tasty" as Miles himself
does over some sections, Wes-style octaves are awfully nice. . . .)
|
--:--tcg
[)]
[(G7)]
||-------------------------------||
||-------------------------------||
||o---0-----0-----0-----0-------o||
||o---0-----2-----3-----2-------o||
||-------------------------------||
||----3---3---3---3---3---3------||
1 & & 2 & &
->VERSE (12-Bar Blues)--
@ Measures 1-4::
G7 G13/11 G9 G13/11 [4x]
||-----------------.--------------------.--------||
||----3------------5------6------5--------||
||o---3h4p3h4p3h4--5------7------5-------o||
||o---3------------5------7------5-------o||
||-----------------------------------------------||
||----trill--------------------------------||
1 & & 2 & &
@ Measures 5-6::
C13/11 C C13/11 CM7[] C13/11 C C13/11 C
|---------------.-----------------.--|---------------.-----------------.--|
|---3-----5-----6-----8--|---6-----5-----3-----5--|
|---3-----5-----7-----9--|---7-----5-----3-----5--|
|---3-----5-----7-----9--|---7-----5-----3-----5--|
|------------------------------------|------------------------------------|
|------------------------------------|------------------------------------|
1 & & 2 & & 1 & & 2 & &
[variation for C measures: ||: --333- --555- --677- --555- :|| 2x
(i.e., same as G7 measure, without the major 3rd)]
[sic: whole "C" chordal series better considered as Gm-type chords...]
@ Measures 7-8 (G7...): a` la measures 1-4, but only 2ce thru...
@ Measures 9-10::
[D7#9] [Eb7#9] [D7#9]
|------------------------------------|------------------------------------|
|---------------------6--|---7-----6--|
|---------------------5--|---6-----5--|
|---------------------4--|---5-----4--|
|---5------5-----5--|---6-----5--|
|------------------------------------|------------------------------------|
1 & & 2 & & 1 & & 2 & &
@ Measures 11-12::
G7/11 GM6/9[G13] G7/11 G7/6[]
|---1-----3--|---1-----0--||
|---1-----3--|---1-----0--||
|---0-----2--|---0--------------------||
|------------------------------------|---------------------3--||
|------------------------------------|------------------------------------||
|---3-----3-----3-----3--|---3-----3-----3-----3--||
1 & & 2 & & 1 & & 2 & &
[ or: 3-345-]
--SEQUENCE: Intro--||: Verse--Intro :||--Verse(fade out)--
->Miles' "head"-ish LEAD over the twelve-bar pretty easy to follow on
the guitar, especially if yu' start at the VIIth position, e.g.--
[(G7)]
||-----|--7------|--7---8-7----------------------|
||-----|---------------------|---------------------------------------|
||--/7-|------------------/7-|------------------------------- tcg ---|
||-----|---------------------|------------------------------- '94 ---|
||-----|---------------------|---------------------------------------|
||-----|---------------------|---------------------------------------|
& 1 & & 2 & & 1 & & 2
--but then, this is JAZZ, 'n'you're supPOSED to improvize yourself! . . .
(but a final note: if you're playin' as "slow & tasty" as Miles himself
does over some sections, Wes-style octaves are awfully nice. . . .)
|
--:--tcg
[)]